Goodbye Farewell (Larry Norman song) with Lyrics and Chords

From our Numubu webcast

on 26th April 2014: our cover of Larry Norman’s beautiful song “Goodbye Farewell”

Samuel is playing our Tanglewood TW15CE-B  guitar and I’m on my old Mugen “the ’78”

DC and Samuel on webcast

Still from the video

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This is taken at a bit of a clip, I think! But you can hear the songs at a more stately pace in this old video of me performing it a few years ago:

LYRICS & CHORDS
(written by Larry Norman)

Goodbye, farewell, we’ll meet again (D, Bm, F#m,)
Somewhere beyond the sky. (D, Bm, F#m, A7)
I pray that you will stay with God (G, Em, D, Bm)
Goodbye, my friends, goodbye. (D, A7, D-G, D-G)

The light grows dim but in this hour (D, Bm, F#m,)
I have no tears to cry. (D, Bm, F#m, A7)
My heart is full, my joy complete. (G, Em, D, Bm)
Goodbye, my friends, goodbye. (D, A7, D-G, D-G)

I feel no loss of hope as I’ve grown older. (Bm, G, D)
Only this world’s weight upon my shoulder. (Bm, E7, Em7, A7)

My heart beats to a slower song, (D, Bm, F#m,)
So softly in my veins. (D, Bm, F#m, A7)
The night is warm, but in my sleep (G, Em, D, Bm)
I dream of heaven’s reign. (D, A7, D-G, D-G)

Everything I am I’ve tried to show you, (Bm, G, D)
In this life I’ve been so blessed to know you. (Bm, E7, Em7, A7)

Goodbye, farewell, we’ll meet again (D, Bm, F#m,)
Somewhere beyond the sky. (D, Bm, F#m, A7)
I pray that you will walk with God (G, G#dim, F#m, Bm)
Goodbye, my friends, goodbye. (Em, A7, Bm, E7)
Goodbye, my friends, goodbye. (Em, A7, D)

For my original music videos go to http://www.youtube.com/DCCardwellsMusic

More covers at http://www.youtube.com/dccardwellcovers

Thanks for listening! ~ DC

Django loves Juno. But does Juno love Django? (Don’t miss the cat-fight in slo-mo!)

Django just wants to hug Juno. He even snuck a kiss this morning! But watch what happens next…

Black cat Juno is a clever eight-year-old cat, thoughtful and generally gentle and very cool (but sometimes a little nervous). She has lived with us for a year and a half.

Django is a two-year-old ginger cat whom we adopted from the RSPCA a couple of months ago. As they described him to us, he’s a “total smooch”, who kisses and hugs and licks everyone and everything.

Django adores Juno and makes the most incredible sound when she’s in the room, or occasionally when he’s just thinking about her and wondering where she is. They’re impossible to describe, but I’ll try and get a good recording of them and post it here soon.

However, Juno hisses and whacks Django if he comes within about a foot and a half (45 cm) of her.

Still, though, she misses him when he’s not around and she seeks him out as often as she tries to get away from him. But she likes to keep her distance.

Django is the most playful adult cat we’ve ever met. He still behaves like a kitten, climbing and running and play-fighting and generally being hyperactive, until the afternoon, when he sleeps on the couch for a few hours. He tries to get as close to Juno as he can and we’re pretty sure he just wants to hug and kiss her like crazy. He’s irrepressible and will gradually edge up, to her, almost imperceptibly in small degrees. He might roll over or stretch every now and then, just casually, but every time getting an inch closer to her. And, in between, he’ll just sit and gaze upon her adoringly. She looks the other way, or else gives him THAT look, which says, “I see what you’re doing.”

Eventually he might lose control of his emotions and just go for her, sometimes with his special sound, his “name” for her, which is usually cut short by what happens next… as seen in this video, first at normal speed and then in slow motion.
All music by DC Cardwell
Film shot and edited by DC Cardwell

Click on the photos for a larger view!

Rod Cordner and Jean-Pierre Rudolph tour England, June 2014

Don’t miss this rare opportunity to see Cordner & Rudolph in England!

Exactly 26 years ago, on 7th May 1988, we left Northern Ireland, but for nearly 10 years before that we played all over the country with Rod Cordner and spent a huge amount of time with him, his wife Jennifer, and his whole family, to whom we are eternally thankful for their inspiration, friendship, prayers, love and kindness.

In those years we also became great friends with French virtuoso violinist Jean-Pierre Rudolph, who became Rodney’s musical partner when he toured all over Europe, which he did frequently. And, again, we have much to thank Jean-Pierre and his wife Anne for – we even managed to avail ourselves of their generosity when we were in their home town of Strasbourg, France and Anne put us up for a few days even though we’d never met her before!

We catch up with Rod and Jenny every time we’re back in Ireland, and their home is still the haven it always was for us when we visit Portadown, where we both grew up.

Sadly, I haven’t seen Jean-Pierre (or Paddy-John as we used to call him) since we both happened to be back in Ireland at the same time in 1996, and I would love to be able to see the two of them perform together again. But if you’re in England you have a chance to catch them on this short tour in June.

If you do make it along, say hi to Rod and Jean-Pierre for us. And if you can, grab a little bit of video on your mobile phone and share it with me, OK? 🙂

– DC
Rod-Cordner-Jean-Pierre Rudolph-tour-poster-2014

Here’s a photo that I took of them when they played at Greenbelt Festival in England in 1986.

Greenbelt-Jean-Pierre-Rudolph-Rod-Cordner-photo-by-DC-Cardwell

Tuesday 3rd June 2014
Bradford BBC Radio 106.6FM
Drive programme with John Hebden, 4-6 pm
www.bcbradio.co.uk
Listen LIVE HERE!

Friday 6th June 2014
Hartlepool TS24 0QJ
Contact David Taylor (see poster for phone no.)

Saturday 7th June 2014
Chapel A House Concerts
Leeds LS7 4LF
Contact Alan Gibson (see poster for phone no.)
www.chapelahouseconcerts.co.uk

Sunday 8th June 2014
Old Royal Oak
Knaresborough HG5 8AL
(see poster for phone no.)

Monday 9th June 2014
Bishop FM 105.9
The Folk Show with Terry Ferdinand 9-11 pm
Listen LIVE at www.bishopfm.com

Wed 11th June
Ravenscourt Arts
London W6 0UH
Contact Darren Hirst (see poster for phone no.)
www.wegottickets.com/event/271690

Samuel & DC Cardwell cover “Four Seasons In One Day” by Crowded House

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This is a complete version of this song from one of our first live webcasts in April 2014. You may have seen a snippet of it if you watched the “highlights” video.

It’s probably Neil Finn’s most famous “Melbourne song”, the achingly beautiful Four Seasons In One Day, from my favourite Crowded House album, Woodface. He wrote and recorded it when the band was based in Melbourne. It’s a common saying that Melbourne can have “four seasons in a day” because the weather can be quite changeable. Rather unusually, the temperature often does “drop away” by as much as 20℃ in a half an hour or so, especially after a period of extremely hot weather.

I won’t deny it – Neil does this better than I do! But I hope you enjoy this version nonetheless. Samuel helps out with some nice guitar and background harmonies. 

 

How Social Networking Has Been A Game Changer For Musicians

DC Cardwell with Aria FA71 guitarDC Cardwell is a singer-songwriter, originally from Northern Ireland, now based in Melbourne, Australia. This part-universal, part-personal post was prompted by a question from a friend on “how social media has helped musicians”.


I believe that social networking has had the most profound impact on the relationship between musician and listener since the twin-pronged technological advances of recording and broadcasting in the early 20th century.

Both of those inventions allowed musicians to reach the listener without having to be in the same physical place and time. Before they came along, almost the only ways for an artist to propagate their music were by printed sheet music or by the folk process of memorization and repetition.

But the entire game has been changed again with the advent of social networking (and its close relative social media)

Unrecorded: How it used to be.

Old Graphophone (Gramophone, Phonograph) with horn

This record player is even older than me.

The value of social networking for music-makers is perhaps most starkly illustrated when we’re talking about a particular class of artists, of which I am one.

I’m referring to that large set of creative musicians who have learned to play music in their youth, been incredibly passionate about it, but never done it seriously or professionally. Instead, they’ve put the bulk of their resources and energies into other careers, marriage, raising children, other non-musical pursuits, or less creative musical occupations.

I found myself firmly entrenched in this position during the  “noughties”. Any chance of a music career had slipped away many years previously. I’d married young and my children were already well on their way towards adulthood. I’d had a perfectly good career in pathology for many years, but, for me, it had simply been a way of putting food on the table.

However, during those years just after the new millenium began, I acquired some computer recording software and a few microphones and started to make the kind of music that I’d been developing in my head over the years. Primarily a guitarist, I even learned to sing a bit, just to make things more interesting, and I began writing songs that I thought were reasonably OK.

Screenshot from DC Cardwell's Adobe Audition session for his song Birthday Present

My multitrack session for “Birthday Present”

I was astounded to find that I could record tracks that were of near-studio quality. Due to digital technology and decreasing costs, I could make music that, twenty years previously, would have required the finances and resources of a large record company and an expensive recording studio.

But who was going to hear this music? Sure, I could burn a few CDs and pass them around to friends. I could do some gigs around town, but it was far-fetched for a middle-aged family man with a mortgage to pack his gear into a van and hit the road, widening his audience by traveling the length and breadth of the country playing to whomever would listen.

It was also a long-shot to expect any record company to be interested in a distinctly unglamorous looking forty-something.

Tom Is Everybody’s Friend: MySpace changes everything!

WARNING: stuff about me for a while here!

But around 2004-05 I started hearing about MySpace. I was fortunate to be one of the computer-literate people who was already very comfortable with the Internet, and had even had some experience of primitive social networking. For example, by playing an online word-game I’d found that I could easily make friends with people from around the world. MySpace amplified this ability a hundredfold, also adding images and music to the mix.

I uploaded one or two of my songs to that pioneering network, and to my surprise and considerable delight, discovered that some people actually quite

DC Cardwell's Tom Song in Myspace player - screenshot

My Tom Song in the old Myspace player (screenshot)

liked my songs and even my hitherto unknown singing voice.

I even wrote a song about the network’s founder, “MySpace Tom” Anderson – not a joke song, but a wry 60s/70s-style pop song which answered a question I was often asked by newcomers: “Who is this Tom guy on my friend list?”

My song was called Tom Is Everybody’s Friend and, for a few days after it got mentioned on Tom’s own page, it went viral (or, at, least semi-viral) before the term was even known. I watched my friend count shoot up rapidly and had to field a huge amount of comments and messages. Suddenly I could really see the power of this new social network to get my music out to people all over the world. It was pretty amazing!

Meet The Author: How has social networking helped my music career?

That was the real birth of my new career. Since then I haven’t been one of those lucky enough to make large amounts of money from my music, but I’ve released my first album, Some Hope, recorded some songs in Los Angeles for a film, won a song contest, played a fair number of live shows in my own city of Melbourne, and, above all, developed a faithful, far-flung following of fans all over the world!

I’ve even gone one step further and quit my lifelong career in pathology to do music full-time.

(I’ve been very fortunate in that my wife, Marjorie Cardwell (now there’s a singer!) began a new career after several years of study, and now she supports me as I previously did her. With my new-found skills I was also able to record an album for her, release it and do the bulk of the necessary social networking required to build a fan base for her.)

Most of my middle-aged peers don’t reach that stage of being able to quite their day job, but the point remains – they can still find (and be found by) fans and distribute their music to the four corners of the earth, largely by means of social networking.

Of course, other ancillary online tools, such as blogs, Tunecore, CD Baby, iTunes, FanBridge, Internet radio etc. are also important, but social networking is the human factor of the Internet by which the independent artist connects with existing and new fans.

And, as we all know, the scene doesn’t remain static. We’ve talked about MySpace, and that was the beginning for many of us slightly older folk. But MySpace suddenly lost ground to Facebook and Twitter.

YouTube has of course, become a major platform for people to find and listen to music, and I did go through a phase of serious networking on it, despite its inadequate social interface. However, a while back my YouTube channels were suddenly shut down, I lost all my followers and view counts, and I had to start all over again so that was a bit of a setback from which I haven’t yet recovered! Google has been making improvements to the YouTube interface but in my opinion it’s still, unfortunately, too clunky to be taken very seriously as a social network. Speaking as a video creator, I do hope that it improves in that regard. But I suspect most video consumers aren’t particularly hungry for a better social experience on YouTube. At present, Youtube’s main role is as a repository for our “product”. 

Similarly, Reverbnation and Soundcloud have bubbled along as perhaps the best frees platform for uploading pure music to be shared on Facebook, although, for me, their social value has been much less significant.

Right now (late 2013) my main social platform of choice is Instagram, which may surprise some. For some reason Twitter never quite clicked with me in a sustainable way, but the addition of photographs and removal of the 140 character limit just happens to sit well with my personality.

Way With Words: How does social networking work for musicians?

Social networking is, of course, mainly a verbal medium. Photographs, sounds and videos can be a part of it, but the glue that holds it together is words.

Screenshot of a comment on DC Cardwell's MySpace page

A comment on my MySpace page from the classic mid-noughties era (thanks Jess!)

I remember how, as a young music fan, I was hungry for any information about my musical heroes. I used to collect interviews and articles – physically cut them out of magazines (I can hear some of you young kids sniggering down at the back) – and file them away. You couldn’t just look stuff up. Articles and photographs came in a trickle and you had to be alert in case you missed anything.

If I ever got the chance to say one or two words to an artist I loved it was just unbelievable good fortune! Can you imagine how unlikely that was back in those days?

But that human factor is much more readily available these days, if the artist is savvy enough to use the social networks. I’ve had conversations online with many of my favourite artists. And I’ve also found myself chatting with people I didn’t know and only later discovering that they are brilliant singers, songwriters or musicians. It’s quite nice when friendship comes first and fanship comes afterwards.

Very often people get to know me, and I get to know them, and it’s quite some time before they even find out that I make music. I’ve always been very careful not to be mercenary or cynical in my approach. I really, genuinely, do make friends with the people I meet online! People are smart and, by and large, they know if you’re being disingenuous.

However, I suspect that even if you’re not that good at chatting with people online, you can still make good use of social networking to advance your music career. It isn’t all about lengthy heart-to-heart conversations. here are other ways of using your natural characteristics to attract friends/followers/fans online. If you’re blessed with pithy wit I’m sure you can use that to gather followers. (I suspect that kind of person is even more likely to find their true home on Twitter.) You might be very knowledgeable about some subject – perhaps your favourite band or music style. You might be very beautiful (or at least buff up really well for photographs.)

Social networking is a reflection of life so there is no set way to make things work for you or for me. If it’s not an organic, dynamic process it’s probably doomed to failure. And I know that some artists will just never get it – will never be able to sit at a computer, or stare at their smartphone and see it as a portal to real, living, breathing people. You have to admire people like that, you really do! And just hope that they find another way of getting their music noticed.

In A Thousand Years: What does the future hold for social networking?

It’s hard to imagine social networking going away. Like the post office or telephone they are simply a part of life now. Many websites and platforms that aren’t primarily social still have a social networking element to them. In a way, it’s simply another string to the technological bow. But in my opinion it’s a game changer (I know, we all hate that cliché!) for musicians, and for anyone who is creative and wishes to make their art findable.

We’ve all read about how some extremely famous artists (if I mention Justin Bieber will it put this post up the rankings?) have made their careers solely by virtue of social networking platforms. And sometimes it’s even true. But for every megastar who has shot meteorically to worldwide fame, there are a thousand creative musicians who have slowly and steadily gathered many friends and fans who are hungry for good music.

And the good news is that, unlike major record companies, unlike the press, unlike radio and TV, these social networks are available to all!

Of course, none of this applies solely to people who had previously considered themselves “past their use-by date”. It’s just as important for most younger musicians. But I feel that examples such as mine are illustrative of the power in social networking.

Social networking is (or can be) important for almost every artist today! And even more so for every one who doesn’t have a record company, agent, publisher or other corporate entity to spread their music for them.

But for the non-touring, day-job-working, family-raising, or just stay-at-home artist, it’s absolutely essential and it makes possible what was previously impossible.

Twenty years ago almost every truly independent artist was severely restricted in their reach. Yes, there were a few early pioneers who kicked down doors and walls through sheer force of will. But with the advent of social networking the world became smaller – a lot smaller – for those of us who want our music to be heard beyond our own four walls.

Know Me: True fulfillment as a musician.

DC Cardwell's Some Hope CD

It still blows me away that (at my age)  I have become a singer-songwriter who releases albums!

That connection with the listener, and therefore the realization that my music is being enjoyed and appreciated, is the single most important thing for me as an artist. It’s worth more than money, by far. It’s what tells me what I’m doing is worthwhile!

Yes – I’m enough of an artist that self-expression is absolutely essential to me. And my motivation is, as I often say, “to make the kind of music that I want to hear.”

But beyond the actual act of making music, the most gratifying moment for me is when someone says to me, “Your song means a lot to me!” Or “Those words made me cry because I can relate to what you’re saying.” Or, “I can’t get that riff of yours out of my head!”  

Or, perhaps best of all, that most profound of inarticulate phrases, “Your music rocks!”

And the true beauty of social networks to me is that I get this kind of affirmation almost every day!

Now THAT is a result!

DC Cardwell

Listen to DC’s music here

 

 

 

 

 

 

 

 

 

Marjorie Cardwell creates beautiful animated iPad music video for her song “Hole In My Head”

There’s a brand new video for Marjorie‘s beautiful song “Hole In My Head!”

iPad Animation

And she’s made the most gorgeous animation on her iPad to illustrate the song.

Some of you will know that the song was inspired by her experience last year of being diagnosed with a brain tumour. (Don’t worry – she’s fine now. The tumour was benign and even though she had very major brain surgery she has recovered very well.) She actually wrote most of the song while she was in the MRI machine getting her pre-op scan. We recorded it quickly right before her operation and I (almost) finished it off with some overdubs.

But I couldn’t figure out a good solo to put over the instrumental section. In the car one day, on the way to one of her appointments, I asked Marjorie for ideas. She said, “How about a euphonium?”

And, to our everlasting delight, one of our musical heroes, Don McGlashan (of legendary New Zealand band The Mutton Birds) agreed to play a sublime euphonium solo on it, as only he can do! (I think Marjorie secretly had this in mind.) He recorded the solo in the boatshed on the New Zealand coast that he uses to write his own songs, and sent it to us by email. It’s everything we hoped for and more.

If you enjoy it, please leave a comment underneath the video on Youtube (or here!) and PLEASE share with your friends on Facebook, Twitter etc. 🙂

 

George Harrison in Graphite and Vinyl – from Marjorie’s archives

Marjorie was a huge fan of George Harrison right from the beginning of his solo career (when she was a very little girl). Here’s a nice portrait she drew of George for her ‘O’ Level Art submission. I recall she left everything to the last minute and did a whole lot of drawings the night before she had to hand them in. We still have the sketch book and it largely consists of this picture of George, a quick self-portrait (also below) and various items around her, e.g. a cup, her hands, her glasses, her boot, a banana etc. They make quite a nice couple, don’t they?

She still has the singles/45’s/7 inches (or what you young hipsters sometimes call the “vinyls” – ugh) to prove that she was a fan when she was just a little girl! She was much more advanced musically than I was at the same age.

You can see the full size version of her George Harrison portrait on our Flickr site at http://www.flickr.com/photos/dc-cardwell/9381761109/.
I wish I had a video or recording of Marjorie singing one of George’s songs, but in the meantime, here’s me doing a ukulele & vocal version “Here Comes The Sun”, one of his two tracks which were major highlights of the Beatles final, iconic “Abbey Road” album.