Live From DC’s, S02 Ep18: DC Cardwell live online with special guest Tony Sables

Our good friend Tony Sables​ joined us on lead guitar for our 19 Sep 2015 free online concert. It was very impromptu even by our standards! I’d been bugging him for ages to come and join in, but this day he happened to come over for a visit when he heard we were moving to Tasmania. And we decided to do the show right away, as you do!

Something by George Harrison

I knew Tony was pretty handy with Beatles guitar parts so here he is on our version of George Harrison’s Abbey Road standard,  “Something”

The Mighty Mondo Quinn

Our mutual friend Mondo Quinn was watching the show and both he and Tony had recently been to see “The Manfreds” (a modern reincarnation of Manfred Mann featuring several original members including Paul Jones & Mike D’Abo).

So, as a tribute to Mondo, we did this ramshackle version of one of their biggest hits, Bob Dylan’s “Basement Tapes”  classic “The Mighty Quinn”

So… thanks to all who watched and a special thanks to Tony! More videos to come as I get time to edit them, but things are pretty hectic with our big “overseas” move coming up!

<!– Go HERE to watch the show: NMBlive.com/dccardwell –>

 

John Lennon at his most eloquent – enhanced!

To me, this is John Lennon at his most eloquent, his thoughts beautifully animated in this short film produced in 2008 by Jerry Levitan, who interviewed him as a 14-year old in 1969.

You should watch this if you’ve got five minutes, and even if you don’t agree with everything John says or the way it’s interpreted, you might agree that a masterful work of art has been built on his generous impromptu interview.

The film was directed by Josh Raskin and the illustrators, James Braithwaite and Alex Kurina, have beautifully enhanced and elevated an amateur “rock interview” with arguably the greatest rock star of them all.

I Met The Walrus - screenshot from video

Click on the screenshot to watch the video!

PS: John’s kindness to this kid, in contrast to the more acerbic (or worse) way he might often treat other people, reminds me of the scene in that Imagine film where the stoner guy comes to the door of his house, and Lennon really goes out of his way to spend time talking with him and try to help him. It conjures up in me an idea that he may well have been being similarly nice to Mark Chapman in his last moments.


DC Cardwell now on Pandora Radio!

My music is now on Pandora!

I think this is good! To tell you the truth, I’d never previously used the service before, although I’ve signed up for it now, as a user as well as an artist. I’m sure a lot of you are already familiar with it. (At least those of you who live in the US, Australia and New Zealand – it’s restricted to those territories for the time being.)

What is Pandora Radio?

DC Cardwell on Pandora Music

Yes, that’s me on right after Fairport Convention

It’s been around for a while. Much longer than Spotify, in fact it was founded in 1999 – that’s the last century! A long time ago in the world of music streaming. Many years ago I was visiting a new acquaintance and, to my amazement, she and her teenage kids were happily enjoying music streamed from Pandora into their living room. I’d vaguely heard of it but was actually quite surprised and impressed that people I knew were actually using it! It seemed a bit Jetsons to me. In a good way. Oh yes, this was just down the road, but my friend was American so that explained why she was using something so cool and modern! Some things never change – she probably had a microwave too.

If you’re not familiar with it, basically, the deal is that you tell it some of the artists you like, and it suggests other music that it feels is similar to what you like. You can then give  thumbs up or thumbs down to what you hear, and Pandora will refine the music it plays for you.  You can listen to it in a web browser (i.e. what you browse the internet with) or with an app on your iPhone or similar smartphone.

The Music Genome Project

This is all done by a combination of science and human experts, as far as I can tell. You may have heard of the Human Genome Project, which was (very loosely speaking) a massive scientific project to identify the components up of human DNA. Well, Pandora is based on The Music Genome Project, which, according to Wikipedia, was “developed by [Will] Glaser with musical input from [Tim] Westergren. The idea was to create a separate, individualized radio station for each user having just the “good” music on it, with none of the “junk” that other users like. In order to achieve that goal, they had to bring different styles

The Beatles followed up by John Lennon live on Pandora

The Beatles followed up by John Lennon live on Pandora

of music together into a predictable pattern for analysis. They created 400 specifications for each song that is then compared to the listener’s preferences in order to suggest other songs or artists with similar characteristics.”

The writer of this article assumes that “Pandora’s team of curators expects excellence from all the music they accept. As Tim Westergren, Pandora’s founder, has said:  “You have to earn your way into Pandora.”

So that’s nice 🙂

Is it Really A Good Thing?

There has been some controversy recently about Pandora’s rates of payment to the artists. I’m not really interested in getting into that argument in this post.  At this point in my career I only know one thing for sure – that my main aim is to get my music heard by as many people as possible! And it seems to me that Pandora is a good way of getting it into the ears of the very people who might like it, but would never have heard it otherwise. We all know that algorithms are changing our lives in ways that would have been unimaginable a generation ago. Well, for me, right now, I’m happy to have the Music Genome Project’s algorithms on my side.

What can YOU do to help?

Don’t sign up for Pandora simply because of me! But, on the other hand, it’s easy to signup, and, well, I’ve had it trundling along in another browser tab while writing this post and, I have to admit, it’s been really effective at playing music I like.

I’m really fussy about the music I listen to (“No! You’re kidding!”my sarcastic friends), but it has kept it on the right path so far – I have enjoyed practically everything I’ve heard, to my amazement, really.

OK, I’ve helped it out by clicking the “Add Variety” button and typing in the names of artists I like, and you can do that to, but it’s also come up with a lot of other artists I wouldn’t have normally listened to. I’ve given two or three thumbs down, that’s all. (Not telling you who to!)

So if you’re already using it, or fancy giving it a chance, you could help me by typing in MY name. Or just find me at http://pandora.com/dc-cardwell – and when my songs are playing, click on the THUMBS UP button!

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How To Get Your Music On Pandora Radio

Having said that, until recently it really was difficult to be featured on Pandora unless you were signed to a major record label or publisher. But they have at last made it possible for anyone to apply for submission. There are certain conditions you have to fulfill, and even then you’re not guaranteed to be accepted. Obviously they still want to maintain their reputation of serving up good music for their listeners. But if you’re an artist, you can submit your music at Pandora Submission Page.  You should set up your own listener account first, unless you’re in a country which doesn’t have the service, in which case you should first email musicandcomedy@pandora.com and they will help you.

– DC  (http://pandora.com/dc-cardwell)

So yeah, I do play ukulele a bit.

So yeah, I do play ukulele a bit. Look up "DC Cardwell Here Comes The Sun" on YouTube for me picking it and singing. Or "Marjorie Cardwell Hole In My Head" for me trying to make it sound a bit like a harp. #ukulele #uke #ulikeuke
Posted by Instagrate to WordPress

So yeah, I do play ukulele a bit. Look up “DC Cardwell Here Comes The Sun” on YouTube for me picking it and singing. Or “Marjorie Cardwell Hole In My Head” for me trying to make it sound a bit like a harp.

George Harrison in Graphite and Vinyl – from Marjorie’s archives

Marjorie was a huge fan of George Harrison right from the beginning of his solo career (when she was a very little girl). Here’s a nice portrait she drew of George for her ‘O’ Level Art submission. I recall she left everything to the last minute and did a whole lot of drawings the night before she had to hand them in. We still have the sketch book and it largely consists of this picture of George, a quick self-portrait (also below) and various items around her, e.g. a cup, her hands, her glasses, her boot, a banana etc. They make quite a nice couple, don’t they?

She still has the singles/45’s/7 inches (or what you young hipsters sometimes call the “vinyls” – ugh) to prove that she was a fan when she was just a little girl! She was much more advanced musically than I was at the same age.

You can see the full size version of her George Harrison portrait on our Flickr site at http://www.flickr.com/photos/dc-cardwell/9381761109/.
I wish I had a video or recording of Marjorie singing one of George’s songs, but in the meantime, here’s me doing a ukulele & vocal version “Here Comes The Sun”, one of his two tracks which were major highlights of the Beatles final, iconic “Abbey Road” album.

MUSIC AT THE MISSION: DC Cardwell & Victor Stranges live in Melbourne Docklands 22nd Mar 2013


♦MUSIC AT THE MISSION♦

Presented by Global Onslaught

Victor Stranges & DC Cardwell performed at the launch of this cozy & cool new venue in the Docklands heartland of Melbourne. The (mainly) acoustic show was performed in an intimate courtyard within the historic building, Mission To Seafarers, located in Flinders Street, Melbourne. The evening was presented by Global Onslaught and was the first night of a series of Music At The Mission shows.

Victor & DC performed their own songs to an enthusiastic audience, and also threw in a few covers, accompanied by Joel Cardwell on bass & guitar and Samuel Cardwell on bass & lap steel guitar. Up-and-coming Melbourne singer-songwriter Andrea Kocevska also performed some of her original songs with DC on guitar.

(Thanks to Mondo Quinn for most of these photos.)

Here’s a video of me (DC) singing “Know Me” at the gig, accompanied by Samuel on bass and Joel on guitar. We’d intended having the boys the other way round so Joel was a bit taken by surprise having to play a lead solo on it, but I think he came out of it with his reputation intact! (Thanks to Rod Neason for the clip.)

After the show, I asked someone about the mysterious dome that can be seen down the other end of the building (see the photo at the bottom of this page). I was led down to it and instructed to take my guitar too. Apparently it was a “personal experience” and no one would tell me what was special about it! It turned out that the acoustics are rather astounding. When you stand in the centre and try to speak, there is so much echo that you can’t make out what you’re saying and it’s almost impossible to say a whole sentence, never mind have a conversation! There’s an echo, slightly longer than a “slapback”, that actually seems louder than the original sound you make. When I played guitar, though, it sounded rather beautiful the way the sound bounced around, and I quite happily played it for a while. Then I was asked to sing The Beatles’ Blackbird, and I found it was a little easier to sing than speak. I wouldn’t say it was ideal acoustics for listening, but it was fascinating. Here’s a video that Rod Neason shot of me. Thanks to Jennifer Wallace for the impromptu harmonies!

Victor: www.victorstranges.com
DC: www.dccardwell.com
Andrea: www.reverbnation.com/andreakocevska
Global Onslaught: www.globalonslaught.com


Mission To Seafarers-Docklands-Melbourne
Mission To Seafarers, Melbourne Docklands
The dome is pretty cool, too!

Poster-Music at the Mission-Mission to Seafarers-Melbourne Docklands-DC Cardwell-Victor Stranges-Global Onslaught-Web

 

New Beatles solo covers – check ’em out!

Hi – DC here!

We came back from a trip to Ireland a few weeks ago and on my return I decided to focus on updating my Youtube channels and adding some more videos.

I have new original songs in the pipeline but people on Youtube seem to love covers so I’ve been knocking off a few and plan to do more as it’s kinda fun and easy 🙂

My latest two have both been Beatles’ solo songs.

Just yesterday I filmed this version of John Lennon’s “Love”

And last week, after seeing the George Harrison documentary by Martin Scorsese, I recorded this ukulele version of “Here Comes The Sun”.

I hope you like them. Please share on Facebook and via email. And if you’re on Youtube, I’d LOVE you to subscribe to my channels so you can hear about each new video I upload.

Here are the links to our three channels.

Thanks for watching & listening!

~ DC

PRESS
“Melbourne’s DC Cardwell is a singer-songwriter that should appeal to fans of Neil Finn and David Grahame, and he has the ability to excel on both the slower, acoustic numbers as well as the up-tempo pop gems. You’ll only need to go a few tracks into Some Hope to realize this as the beautiful, gentle opener “I Am Still the Same” and the lovely, spare “Birthday Present” are followed by the catchy power pop of “Peace and Love”. Aside from these three, there are plenty of instant classics to go around like the breezy “Way With Words”, the harmonica and handclaps of “A Minute of Your Time”, and the jangly “Tom is Everybody’s Friend”. 16 tracks in all here, so it’s quality and quantity.”  Steve, Absolute Powerpop

“DC Cardwell creates a heart felt acoustic gem here, full of wonderful melodic hooks and a Ray Davies styled vocal. The gentle minor chords and harmonies that open “I Am Still The Same” are both brilliant and poignant. “Birthday Present” is another example of solid composition and a revelatory Harrison styled guitar break. Some of the mid-tempo ballads (“The Quiet Ages”) are like magical combinations of both Paul Simon and McCartney.”  Aaron Kupferberg, Powerpopaholic

“I have a great respect for your songwriting and style. You have a unique delivery that for the uninitiated conjures the vocal prowess of Thom York blended with the edge of John Lennon and a tip of the hat to Bob Dylan.”  Doug Mitchell (Recording engineer/producer),

 ReverbNation       Twitter       Artist Website       other

The Adjectival Bob Dylan

Today we have a guest host – our son Samuel Cardwell posted this on Facebook and it’s too good not to share with the world!

___________________

This morning my father and I were talking about how rubbish it would have been if people had kept calling albums things like ‘With the Beatles’ and ‘The Freewheelin’ Bob Dylan,’ and I got to wondering what it would have been like if Bob had kept using ‘The + Adjective+ Bob Dylan’ formula throughout his long career. I think it would have gone something like this:

 

  • The Hillbilly Bob Dylan (Bob Dylan)
  • The Freewheelin’ Bob Dylan
  • The Political Bob Dylan (The Times They Are A Changin’)
  • The Sarcastic Bob Dylan (Another Side of Bob Dylan)
  • The Dreamin’ Bob Dylan (Bringing It All Back Home)
  • The Growlin’ Bob Dylan (Highway 61 Revisited)
  • The Surreal Bob Dylan (Blonde on Blonde)
  • The Garagey Bob Dylan (The Basement Tapes)
  • The Countrified Bob Dylan (John Wesley Harding)
  • The Weird-Voiced Bob Dylan (Nashville Skyline)
  • The Desultory Bob Dylan (Self Portrait)
  • The Optimistic Bob Dylan (New Morning)
  • The Cinematic Bob Dylan (Pat Garrett & Billy the Kid)
  • The Desultory Bob Dylan Vol. 2 (Dylan)
  • The Married Bob Dylan (Planet Waves)
  • The Divorced Bob Dylan (Blood on the Tracks)
  • The Collaboratin’ Bob Dylan (Desire)
  • The Shrill Bob Dylan (Street Legal)
  • The Evangelical Bob Dylan (Slow Train Coming)
  • The Devotional Bob Dylan (Saved)
  • The Hymnal Bob Dylan (Shot of Love)
  • The Reggae Bob Dylan (Infidels)
  • The Downhill Bob Dylan (Empire Burlesque)
  • The Regrettable Bob Dylan (Knocked Out Loaded)
  • The Forgettable Bob Dylan (Down In The Groove)
  • The Revitalised Bob Dylan (Oh Mercy)
  • The Giddy Bob Dylan (Under the Red Sky)
  • The Musicological Bob Dylan (Good As I Been To You)
  • The Musicological Bob Dylan Vol. 2 (World Gone Wrong)
  • The Bleak Bob Dylan (Time Out Of Mind)
  • The Pre-War Bob Dylan (“Love and Theft”)
  • The Languid Bob Dylan (Modern Times)
  • The Cajun Bob Dylan (Together Through Life)
  • The Joyeux Bob Dylan (Christmas in the Heart)

___________________

I think that list of Samuel’s is pretty much spot-on but does anyone have any other suggestions?

Bob Dylan at Slane Castle, Dublin,1984 - photos by DC Cardwell

DC’s 15 Albums In 15 Minutes

THE RULES:  Don’t take too long to think about it. Fifteen albums you’ve heard that will always stick with you. List the first fifteen you can recall in no more than fifteen minutes. Tag fifteen friends, including me, because I’m interested in seeing what albums my friends choose. (To do this, go to your Notes tab on your profile page, paste rules in a new note, cast your fifteen picks, and tag people in the note).

Here goes – I tried to resist this latest question doing the rounds on Facebook, I really did! I think the last note I wrote was my top 20 albums. And I think I did my top 10 once as well. What will they think of next? Your Top 17?

This time I’m limiting it to “rock and roll” in the good old, 70s, wide sense of the term. And Hank Williams. Albums that really touched me, moved me, and each in their own way influenced me profoundly. I allowed compilations, but not multi-artist compilations. And one album per artist, with John and Paul cheating to get in by simply managing to make two of the greatest “solo albums” of all time. No Bob Dylan, which is really really really really silly, but I somehow forgot him until the 15 spaces were filled. And same goes for Bowie (David, not Lester or Zowie). And The Rolling Stones. No NZ representatives because Split Enz and Crowded House never quite managed to make a perfect album (for me – no flaming please – oh well – go ahead!) and, well, Mutton Birds and Dave Dobbyn did but I had to draw the line at 15 and the people in this list are all earlier formative influences. And nothing Australian or Irish. Oh crap, I forgot The Finn Brothers first solo album “Finn”, which IS perfect. And ABBA, although the perfect compilation only exists as a CD-R in my collection. And The Band! And Kate & Anna McGarrigle! And Richard & Linda Thompson! And Zep! Who said it had to be 15 albums?

Oh, and Hank Williams gets in just because he’s Hank.

01 – The Beatles – Revolver (of course)

02 – Hank Williams – 40 Greatest Hits (natch)

03 – Elvis Presley – The Sun Sessions (well like duh…)

04 – Al Green – The Belle Album

05 – Aretha Franklin – 30 Greatest Hits

06 – Neil Young – Zuma

07 – Larry Norman – Only Visiting This Planet

08 – Rezillos – Can’t Stand The Rezillos

09 – Buzzcocks – Love Bites

10 – The Alpha Band – The Statue Makers Of Hollywood

11 – Paul McCartney & Wings – Band On The Run

12 – John Lennon And The Plastic Ono Band – John Lennon And The Plastic Ono Band

13 – Stevie Wonder – The Original Musiquarium

14 – T-Bone Burnett – Truth Decay

15 – Sam Phillips – Cruel Inventions

For a more comprehensive (but by no means exhaustive) list of some of my fave artists, allow me to cut and paste from my fabulous MySpace page (which incidentally is at http://www.myspace.com/dccardwell)

Sam Phillips, The Beatles, Ringo Starr, George Harrison, Paul McCartney, John Lennon, George Martin, Neil Young, Al Green, T Bone Burnett, The Alpha Band, The Clark Sisters, The Rezillos, The Kinks, The Staple Singers, The Mutton Birds, Bob Dylan, Hank Williams, Elvis Presley, Aretha Franklin, Crowded House, Neil Finn, Tim Finn, Phil Judd, Split Enz, Nick Lowe, Dave Edmunds, The Heptones, Jackie Mittoo, Wild Man Fischer, Toots & The Maytals, Johnny Cash, Iris Dement, Ann Peebles, The Band, The Beach Boys, Larry Norman, Lester Young, The Meters, Gillian Welch, Sloan, Buddy & Julie Miller, NRBQ, Andrae Crouch, The Fall, Thelonious Monk, Andy Pratt, Loudon Wainwright III, Ace Of Base, Stevie Wonder, Arcade Fire, Dave Dobbyn, Billie Holiday & Lester Young, The Drifters, Wreckless Eric, Rodney Cordner, Django Reinhardt, Mark Heard, Gil Askey, Kate & Anna McGarrigle, Led Zeppelin, Lefty Frizzell, The Rolling Stones, Rick Nelson, Ivor Cutler, Roy Harper, The Undertones, The Mighty Clouds Of Joy, Edwyn Collins, Vince Guaraldi, Blossom Dearie, George Jones, The Strokes, U2, Van Morrison, The Beach Boys, The Modern Jazz Quartet, The Pogues, Randy Stonehill, Nina Simone, Chuck Berry, Madeleine Peyroux, Al Bowlly, Ray Charles, James Brown, Jimmy Reed, The Everly Brothers, Gram Parsons, Elvis Costello, Velvet Underground, David Bowie, Bobby Womack, Jonathan Richman and The Modern Lovers, ABBA, Richard and Linda Thompson, Frank Black and, of course, his Fabulous Pixies, The Mills Brothers, Duke Ellington, The Byrds, The Rutles, Elmore James, Buzzcocks, Booker T & The MGs, Randy Newman, Ella Fitzgerald, Marc Bolan and T-Rex, Louis Armstrong, The Dixie Hummingbirds, Television. Let’s face it, there are too many great artists, writers and producers to list but I especially like to listen to a lot of soul music including music from the Stax and Atlantic labels, Motown, 70s soul, doo-wop, be-bop, early rock and roll, ska, reggae and New Orleans R&B.

Review of Neil Young at the Sidney Myer Music Bowl, Melbourne, Australia, 28 Jan 2009

The Sidney Myer Music Bowl is a rather wonderful outdoor venue in the
heart of Melbourne’s King’s Domain. A natural amphitheatre with a large
stage and a covered area for those who can afford the expensive seats!
For once, I paid the extra to get up close to one of my major musical
heroes. I was accompanied by my wife Marjie and my son Samuel, both
also Neil Young fans.

But it was just too hot for me to really enjoy this show. I’ve been in
Melbourne for twelve years now, but for a Northern Ireland kid these
40+ days are hard to take, especially when they drag on for too long a
period! And after a long hot day and a scorching walk to the venue,
you’re not exactly in the mood to rock and roll all night long, free
world or not.

I regret that we stayed in our seats under the dome as it was indeed
like baking in an oven, but the heat was also making us feel so tired
that we were reluctant to move back to watch and listen from out in the
open air. I now wish we had, judging from other people’s comments.

I’m a long-time Neil fan (ever since I heard a track from the new album
Zuma in 1975 while listening to the John Peel Show on a little
transistor radio underneath my pillow) and his playing has influenced
me more than any other guitarist’s. Anyone who knows me will attest
that I am a huge Neil enthusiast.

And I’ve only seen him twice before – the last two and a half songs
(don’t ask!) of a show in Vancouver back in the early 90s and his last
appearance here in Melbourne on the Greendale tour, which was really
great but not a typical performance.

I’d read very good things about this tour, with the British leg being
hailed as his best since the famous Crazy Horse shows of the mid-70s.

So I was primed for this to be the “gig of a lifetime”, but it was not
to be – which was probably more due to the scorching weather, my
fragile physical state (for various reasons), poor sound from where I
was sitting, a guy to my left who was not large but somehow took up way
more space (mine) than was justified, and a song selection which was
not to my taste. So I’m surprised to be writing a
less-than-enthusiastic review and I apologise for it, because I think
most people there enjoyed it more than I did.

The Greendale show had been at the same venue, and from our vantage
point then, much further from the stage, the sound was perfect.
Tonight, down near the front, it was rather boxy and unfortunately the
drums were mixed way too loud and reverberant like any crappy bar band,
which was annoying most of the time, but especially in the ballads,
when it was completely ridiculous. I guess the covered part of the
venue (50 years old next month) was acoustically designed for classical
music, but that’s not good for rock’n’roll! And from where I was,
Neil’s acoustic guitar sounded really bad and that spoiled songs that
should have been good, like “The Needle And The Damage Done”.

I thought the backing vocals were spot-on and beautiful, especially
Neil’s wife Pegi‘s, and the playing was generally sympathetic, but I
couldn’t really hear the piano at all from where I was. And as for the
bass, it was pretty much impossible to clearly identify any particular
note, so we just got a general boominess in the lower registers.

Anyway, Neil was full of energy, which amazed me given the extreme
heat. He was wearing a white open-necked shirt and Eric Morecambe style
khaki Bermuda shorts. His voice was sounding fairly strong despite the
acoustics, however at the Greendale show five years ago his voice was
astoundingly good, in fact I didn’t even know he *could* sing like that!

And despite regretting not moving back, it was good to be close enough
to really *see* Neil and observe what he was doing with his guitar.

It was also a treat to see Ben Keith – someone who’s played with Neil
since those far-off legendary days of the early 70s. The full line-up
was Ben Keith (pedal steel, guitar, piano, organ), Rick Rosas (bass),
Chad Cromwell (drums), Anthony Crawford and Pegi Young (backing vocals,
piano and guitars).

An early song was a fave of mine, “Everybody Knows This Is Nowhere”
with its delectable la-la-las. But for my particular taste there were
just too many songs that I find mediocre, with throwaway tunes and
sophomoric homespun cod-religious or philosophical lyrics which are
probably crowd-pleasing but lack the depth of which he is capable. Many
of them had failed to interest me on the original albums and these live
performances didn’t enhance them any. I noticed that Marjie and Samuel
laughed heartily at some of them, and not in a good way!

An exception was “One Of These Days” which I had never liked much but
which suddenly rung very true on this occasion, and I guess it’s
moments like that which make a show worthwhile!

“Four Strong Winds” came across quite well too. The harmonium on
“Mother Earth” was nice, but, well, the song is laughable, really! I
mean, you’d think you can’t go wrong with the tune of “O Waly Waly“,
but the words… This was one which really had Marjie and Samuel
cracking up and who could blame them? (Flame away – we all have our
likes and dislikes and I’ve already stated that Neil is one of my absolute
fave artists so I don’t feel guilty!)

As others have commented online, “Cortez The Killer” was, well, killer,
and the only song of the night where he really let his guitar do what
it does so well – sing. (But you know, even though that song is one of
the best tracks on my favourite Neil album, the sentiment still really
bugs me because he suggests that sacrificing children is OK if you
think you’re going to get some mystical benefit from it. It doesn’t
exactly support his case against Cortez. There – I’ve written a song
about that, but now I’ve said it openly for the first time!)

For me, another highlight of the evening was “Words”. That was the only
song in which Neil played his white Gretsch and I hate to say this,
but it sounded way better than his legendary Les Paul, “Old Black”. I
think the cleaner, bitier sound helped make up for the muddiness of the
PA. I had never really loved this song on Harvest, but tonight the 11/8
time signatures (or whatever they are) sounded perfectly natural and
even swinging. Marjie hated it though!

The finale of “A Day In The Life” was brilliant. It’s a great song that
the Beatles made kinda difficult to cover (although I have a 45rpm
record of Wes Montgomery doing it) but it was good to hear it being
done so well by Neil. He and his band are as capable of doing
cacophonous wig-outs as anyone, as we all know, but they somehow
managed to make the orchestral crescendos sound remarkably like the Sgt
Pepper version! I was sure I could hear the swirling strings but it was
coming out of bass, drums, piano, organ and guitars. For the second
crescendo he proceeded to break all the strings on “Old Black” and thrash the
pickups with them, at great length and to noisy effect. The middle bit
(woke up, fell out of bed) was perhaps a little off, and Nil seemed to
be forgetting the words or forgetting to go up to the microphone, but
the overall effect was unforgettable.

Pegi had utilised the illuminated vibraphone in a pleasantly Motownish
way earlier in the evening, but for the climax of “A Day In The Life”
Neil ran up to where it was located at the back of the stage and hit a
percussive version of the Beatles’ famous piano chord. Not quite as
cute as the Rutles’ “plonk”, but a good way to end.

Review by DC Cardwell (www.dccardwell.com)

FULL SET LIST (thanks to http://www.setlist.fm)

1. Love And Only Love
2. Sea Change
3. Everybody Knows This Is Nowhere
4. I’ve Been Waiting For You
5. Spirit Road
6. Cortez The Killer
7. Cinnamon Girl
8. Mother Earth
9. The Needle And The Damage Done
10. Light A Candle
11. Four Strong Winds
12. Unknown Legend
13. One Of These Days
14. Get Back To The Country
15. Words
16. Just Singing A Song
17. Rockin’ In The Free World
18. A Day In The Life