Ten Records That Changed My Life… REALLY changed my life.

Ten records that changed my life

Yesterday (8th Jan, 2014) a Facebook friend of mine, Bill Mallonee, posed the following question:

10 life changing records. (I know! It’s impossible!)
Take a deep breath & list ’em in less than 3 minutes.
Don’t over think it.

Well, you know what? I did over-think it. It’s pretty easy to reel off some of your favourite records, like I did here and here, but (being a pedantic git) I felt that if you’re going to describe something as life-changing it had better be something that really did have some particular concrete effect on your existence. So it took me longer than 3 minutes, but not much longer. Here’s a slightly edited and expanded version:

Ten Life Changing Records

Life changing? Life. Changing. Life changing. Records that really, really truly changed my life. Hmm. Not necessarily albums. Nor my favourite, nor the best, nor the coolest records.

1: Johnny Cash‘s first gospel LP (Hymns by Johnny Cash) – My parents had it it and it was probably the first record that felt blissful to me – that showed me how powerful music could be, even before I really became a “music fan”

2: Elton John‘s Crocodile Rock. For some strange reason hearing it on Top Of The Pops was a revelation to me that stupid, freakish, long-haired, ungodly, noisy rock’n’roll music was actually really great. [I know Crocodile Rock, while great, is not exactly the pinnacle of the form, but for me it was the key that unlocked the door.] It was the first record I ever bought and it instantly made me into a “music fan”.Ø

3-5: Larry Norman‘s three albums Upon This Rock, Only Visiting This Planet and Bootleg – My sister borrowed them and they taught me that rock’n’roll wasn’t evil and you could be funny, clever and talk about whatever you wanted [The Ku Klux Klan, Paul McCartney’s Hofner bass, venereal disease, Jesus]

6 – Neil Young‘s Zuma – I heard John Peel play the track Looking For A Love on the little transistor radio under my pillow one night in 1976. I’d never heard Neil Young before but I fell for the sound immediately. I went out and bought the album and it’s still, in my mind, the definitive “perfect electric guitar sound” that I basically strive for in my playing [much of the time, anyway].

7-9: Jonathan Richman & The Modern LoversRock’n’Roll With The Modern Lovers, Patrik Fitzgerald‘s Safety Pin Stuck In My Heart E.P.* & Wild Man Fischer‘s Wildmania!§ – the fact that Marjorie owned these three records that I also loved was a major factor in bringing us together at school in 1977, and we’re still married.

10 – Crowded House‘s Woodface – I’d gradually grown fond of them on the radio (They played Better Be Home Soon, Don’t Dream It’s Over, Fall At Your Feet, Sister Madly quite often on CFMI) when we lived in Vancouver, and finally bought the CD. Marjorie and I felt it was immediately fell for the album in a very, very deep way, particularly the first half, which seemed to representative another kind of perfect sound which we felt we’d been looking for all our lives. Marjorie loved them so much that (to cut a long story

11 – Some other Johnny Cash record – I was listening to him one day at work in the lab about ten years ago [I can’t remember which song but I think it was from his Sun years]

NOTES

Ø I subsequently bought the Daniel and Goodbye Yellow Brick Road 45s and was settling in for a lifetime of brilliant Elton John releases, but I wasn’t so sure about Saturday Night’s Alright For Fighting (it was OK, but I could think of better things to spend my 45p on)  and never again bought another Elton John single, or, for that matter, a post-1973 album of his. This was my first lesson in pop disappointment.

* Patrik was the first “folk-punk” guy (to release a record) in the original UK punk scene of 1976-78. I’ve always thought that Marjorie and I don’t have an “our song” in the way that Americans talk about it, but I guess Patrik’s Safety Pin Stuck In My Heart was Our Song!

§ Wild Man’s first, and most famous album, was the double album An Evening With Wild Man Fischer, about eight years before Wildmania!. This was his “comeback album”. John Peel played a track every night and I taped the whole album. I used to go round school singing the songs from it (and to think I say I only became a singer about ten years ago!) and some of the songs became quite popular among my friends. (“My name is Larry, I have a canary”, “I went to a disco in San Francisco” – you can see why).

One day Marjorie told me she’d got the album. I actually thought she was only joking as it wasn’t the kind of thing you’d find in the records shops in Portadown. And I think she was disappointed but didn’t really impress the fact on me. But some time later, when we were closer friends, I found it in her record collection and nearly died! It turned out she’d ordered it from “overseas” (i.e. England) out of an ad in the NME.

I spent years wondering how I could get the first album and I eventually found it in a shop in London. But despite it being, by far, the most famous and well-regarded, it’s nowhere near as good as Wildmania!, which, in my opinion, is where his art all came together in its most cohesive and beautiful form; in short, his masterpiece.

I know it’s uncool, but I also do covers! PLUS Marjorie’s health.

Paul McCartney cover by DC Cardwell - still from video

When I was young it was considered pretty naff to do cover versions, and even now I feel a little guilty about it. Especially covers of songs by old dinosaur rock stars. But that’s what really got me into singing to begin with. As our two boys started to grow up and play various instruments, they started to jam with me, and their teenage friends would come over and join in. But like a lot of teenage boys the jams tended to consist of endless 12-bar guitar noodling or one-chord funky workouts. Or sometimes it was the Sunshine Of Your Love riff. Just the riff.

Which is why I started to sing – just to give us a bit of direction. Beatles, Neil Young, Zeppelin, old blues songs – the kind of things teenage guitarists always seem to develop a fondness for no matter what decade it is. I used to feel bashful croaking tunelessly even in front of the kids, but really, without that impetus I would never have developed either the voice or the confidence to sing in public.

Anyway, this is all by way of drawing attention to the fact that I have a channel on YouTube (youtube.com/DCCardwellsCovers) devoted entirely to cover versions. I planned to do one a week, but, of course, things get in the way and I haven’t kept up that pace.

Here’s my latest, a Paul McCartney song I recorded on the spur of the moment for my wife Marjorie on the eve of Valentine’s Day, and with me having just quit my day job and started music 100% full-time, the words seemed roughly appropriate!

And speaking of Marjorie, this may not be the place to go into personal details but I’d like to mention that just a few days ago she was diagnosed with a brain tumour and has to have emergency surgery, which should happen within the next two weeks at the latest. The good news is that it’s almost certainly benign and the outlook is very good, but we’d still value your prayers as brain surgery is no walk in the park.

~ DC

DC makes “Best Of 2011” list!

The delightful Tamara Tillinghast of The Think Tank show on Mixx 96.1 KXXO in Olympia, WA played her “Best of 2011” today and I made the list! I was especially chuffed because most of the other artists on her list are very well-known and acclaimed artists, not just indie no-names like me, so it pretty cool to be in such esteemed company. 🙂 ~ DC

Jens Lekman – “A Promise”

The Red Button – “Caught in the Middle”

Fruit Bats – “Tony the Tripper”

Feist – “Bittersweet Melodies”

Drive-By Truckers – “Everybody Needs Love”

Emmylou Harris – “Home Sweet Home”

The Decemberists – “January Hymn”

Iron and Wine – “Me and Lazarus”

The Bees – “I Really Need Love”

Eleanor Friedberger – “Inn of the Seventh Ray”

Sondre Lerche – “Go Right Ahead”

Crooked Fingers – “Our New Favorite”

DC Cardwell – “Peace and Love”

Wilco – “Sunloathe”

Lucinda Williams – “Blessed”

David Lowery – “Raise ’em Up on Honey”

I’m From Barcelona – “Get in Line”

The Ladybug Transistor – “Breaking Up on the Beat”

Over the Rhine – “Days Like This”

Thao and Mirah – “Little Cups”

Alison Krauss & Union Station – “Dimming of the Day”

Neil Young International Harvesters – “Get Back to the Country”

Kerosene Halo – “And So it Goes”

They Might Be Giants – “Celebration”

Gillian Welch – “Silver Dagger”

DC’s 15 Albums In 15 Minutes

THE RULES:  Don’t take too long to think about it. Fifteen albums you’ve heard that will always stick with you. List the first fifteen you can recall in no more than fifteen minutes. Tag fifteen friends, including me, because I’m interested in seeing what albums my friends choose. (To do this, go to your Notes tab on your profile page, paste rules in a new note, cast your fifteen picks, and tag people in the note).

Here goes – I tried to resist this latest question doing the rounds on Facebook, I really did! I think the last note I wrote was my top 20 albums. And I think I did my top 10 once as well. What will they think of next? Your Top 17?

This time I’m limiting it to “rock and roll” in the good old, 70s, wide sense of the term. And Hank Williams. Albums that really touched me, moved me, and each in their own way influenced me profoundly. I allowed compilations, but not multi-artist compilations. And one album per artist, with John and Paul cheating to get in by simply managing to make two of the greatest “solo albums” of all time. No Bob Dylan, which is really really really really silly, but I somehow forgot him until the 15 spaces were filled. And same goes for Bowie (David, not Lester or Zowie). And The Rolling Stones. No NZ representatives because Split Enz and Crowded House never quite managed to make a perfect album (for me – no flaming please – oh well – go ahead!) and, well, Mutton Birds and Dave Dobbyn did but I had to draw the line at 15 and the people in this list are all earlier formative influences. And nothing Australian or Irish. Oh crap, I forgot The Finn Brothers first solo album “Finn”, which IS perfect. And ABBA, although the perfect compilation only exists as a CD-R in my collection. And The Band! And Kate & Anna McGarrigle! And Richard & Linda Thompson! And Zep! Who said it had to be 15 albums?

Oh, and Hank Williams gets in just because he’s Hank.

01 – The Beatles – Revolver (of course)

02 – Hank Williams – 40 Greatest Hits (natch)

03 – Elvis Presley – The Sun Sessions (well like duh…)

04 – Al Green – The Belle Album

05 – Aretha Franklin – 30 Greatest Hits

06 – Neil Young – Zuma

07 – Larry Norman – Only Visiting This Planet

08 – Rezillos – Can’t Stand The Rezillos

09 – Buzzcocks – Love Bites

10 – The Alpha Band – The Statue Makers Of Hollywood

11 – Paul McCartney & Wings – Band On The Run

12 – John Lennon And The Plastic Ono Band – John Lennon And The Plastic Ono Band

13 – Stevie Wonder – The Original Musiquarium

14 – T-Bone Burnett – Truth Decay

15 – Sam Phillips – Cruel Inventions

For a more comprehensive (but by no means exhaustive) list of some of my fave artists, allow me to cut and paste from my fabulous MySpace page (which incidentally is at http://www.myspace.com/dccardwell)

Sam Phillips, The Beatles, Ringo Starr, George Harrison, Paul McCartney, John Lennon, George Martin, Neil Young, Al Green, T Bone Burnett, The Alpha Band, The Clark Sisters, The Rezillos, The Kinks, The Staple Singers, The Mutton Birds, Bob Dylan, Hank Williams, Elvis Presley, Aretha Franklin, Crowded House, Neil Finn, Tim Finn, Phil Judd, Split Enz, Nick Lowe, Dave Edmunds, The Heptones, Jackie Mittoo, Wild Man Fischer, Toots & The Maytals, Johnny Cash, Iris Dement, Ann Peebles, The Band, The Beach Boys, Larry Norman, Lester Young, The Meters, Gillian Welch, Sloan, Buddy & Julie Miller, NRBQ, Andrae Crouch, The Fall, Thelonious Monk, Andy Pratt, Loudon Wainwright III, Ace Of Base, Stevie Wonder, Arcade Fire, Dave Dobbyn, Billie Holiday & Lester Young, The Drifters, Wreckless Eric, Rodney Cordner, Django Reinhardt, Mark Heard, Gil Askey, Kate & Anna McGarrigle, Led Zeppelin, Lefty Frizzell, The Rolling Stones, Rick Nelson, Ivor Cutler, Roy Harper, The Undertones, The Mighty Clouds Of Joy, Edwyn Collins, Vince Guaraldi, Blossom Dearie, George Jones, The Strokes, U2, Van Morrison, The Beach Boys, The Modern Jazz Quartet, The Pogues, Randy Stonehill, Nina Simone, Chuck Berry, Madeleine Peyroux, Al Bowlly, Ray Charles, James Brown, Jimmy Reed, The Everly Brothers, Gram Parsons, Elvis Costello, Velvet Underground, David Bowie, Bobby Womack, Jonathan Richman and The Modern Lovers, ABBA, Richard and Linda Thompson, Frank Black and, of course, his Fabulous Pixies, The Mills Brothers, Duke Ellington, The Byrds, The Rutles, Elmore James, Buzzcocks, Booker T & The MGs, Randy Newman, Ella Fitzgerald, Marc Bolan and T-Rex, Louis Armstrong, The Dixie Hummingbirds, Television. Let’s face it, there are too many great artists, writers and producers to list but I especially like to listen to a lot of soul music including music from the Stax and Atlantic labels, Motown, 70s soul, doo-wop, be-bop, early rock and roll, ska, reggae and New Orleans R&B.

Review of Neil Young at the Sidney Myer Music Bowl, Melbourne, Australia, 28 Jan 2009

The Sidney Myer Music Bowl is a rather wonderful outdoor venue in the
heart of Melbourne’s King’s Domain. A natural amphitheatre with a large
stage and a covered area for those who can afford the expensive seats!
For once, I paid the extra to get up close to one of my major musical
heroes. I was accompanied by my wife Marjie and my son Samuel, both
also Neil Young fans.

But it was just too hot for me to really enjoy this show. I’ve been in
Melbourne for twelve years now, but for a Northern Ireland kid these
40+ days are hard to take, especially when they drag on for too long a
period! And after a long hot day and a scorching walk to the venue,
you’re not exactly in the mood to rock and roll all night long, free
world or not.

I regret that we stayed in our seats under the dome as it was indeed
like baking in an oven, but the heat was also making us feel so tired
that we were reluctant to move back to watch and listen from out in the
open air. I now wish we had, judging from other people’s comments.

I’m a long-time Neil fan (ever since I heard a track from the new album
Zuma in 1975 while listening to the John Peel Show on a little
transistor radio underneath my pillow) and his playing has influenced
me more than any other guitarist’s. Anyone who knows me will attest
that I am a huge Neil enthusiast.

And I’ve only seen him twice before – the last two and a half songs
(don’t ask!) of a show in Vancouver back in the early 90s and his last
appearance here in Melbourne on the Greendale tour, which was really
great but not a typical performance.

I’d read very good things about this tour, with the British leg being
hailed as his best since the famous Crazy Horse shows of the mid-70s.

So I was primed for this to be the “gig of a lifetime”, but it was not
to be – which was probably more due to the scorching weather, my
fragile physical state (for various reasons), poor sound from where I
was sitting, a guy to my left who was not large but somehow took up way
more space (mine) than was justified, and a song selection which was
not to my taste. So I’m surprised to be writing a
less-than-enthusiastic review and I apologise for it, because I think
most people there enjoyed it more than I did.

The Greendale show had been at the same venue, and from our vantage
point then, much further from the stage, the sound was perfect.
Tonight, down near the front, it was rather boxy and unfortunately the
drums were mixed way too loud and reverberant like any crappy bar band,
which was annoying most of the time, but especially in the ballads,
when it was completely ridiculous. I guess the covered part of the
venue (50 years old next month) was acoustically designed for classical
music, but that’s not good for rock’n’roll! And from where I was,
Neil’s acoustic guitar sounded really bad and that spoiled songs that
should have been good, like “The Needle And The Damage Done”.

I thought the backing vocals were spot-on and beautiful, especially
Neil’s wife Pegi‘s, and the playing was generally sympathetic, but I
couldn’t really hear the piano at all from where I was. And as for the
bass, it was pretty much impossible to clearly identify any particular
note, so we just got a general boominess in the lower registers.

Anyway, Neil was full of energy, which amazed me given the extreme
heat. He was wearing a white open-necked shirt and Eric Morecambe style
khaki Bermuda shorts. His voice was sounding fairly strong despite the
acoustics, however at the Greendale show five years ago his voice was
astoundingly good, in fact I didn’t even know he *could* sing like that!

And despite regretting not moving back, it was good to be close enough
to really *see* Neil and observe what he was doing with his guitar.

It was also a treat to see Ben Keith – someone who’s played with Neil
since those far-off legendary days of the early 70s. The full line-up
was Ben Keith (pedal steel, guitar, piano, organ), Rick Rosas (bass),
Chad Cromwell (drums), Anthony Crawford and Pegi Young (backing vocals,
piano and guitars).

An early song was a fave of mine, “Everybody Knows This Is Nowhere”
with its delectable la-la-las. But for my particular taste there were
just too many songs that I find mediocre, with throwaway tunes and
sophomoric homespun cod-religious or philosophical lyrics which are
probably crowd-pleasing but lack the depth of which he is capable. Many
of them had failed to interest me on the original albums and these live
performances didn’t enhance them any. I noticed that Marjie and Samuel
laughed heartily at some of them, and not in a good way!

An exception was “One Of These Days” which I had never liked much but
which suddenly rung very true on this occasion, and I guess it’s
moments like that which make a show worthwhile!

“Four Strong Winds” came across quite well too. The harmonium on
“Mother Earth” was nice, but, well, the song is laughable, really! I
mean, you’d think you can’t go wrong with the tune of “O Waly Waly“,
but the words… This was one which really had Marjie and Samuel
cracking up and who could blame them? (Flame away – we all have our
likes and dislikes and I’ve already stated that Neil is one of my absolute
fave artists so I don’t feel guilty!)

As others have commented online, “Cortez The Killer” was, well, killer,
and the only song of the night where he really let his guitar do what
it does so well – sing. (But you know, even though that song is one of
the best tracks on my favourite Neil album, the sentiment still really
bugs me because he suggests that sacrificing children is OK if you
think you’re going to get some mystical benefit from it. It doesn’t
exactly support his case against Cortez. There – I’ve written a song
about that, but now I’ve said it openly for the first time!)

For me, another highlight of the evening was “Words”. That was the only
song in which Neil played his white Gretsch and I hate to say this,
but it sounded way better than his legendary Les Paul, “Old Black”. I
think the cleaner, bitier sound helped make up for the muddiness of the
PA. I had never really loved this song on Harvest, but tonight the 11/8
time signatures (or whatever they are) sounded perfectly natural and
even swinging. Marjie hated it though!

The finale of “A Day In The Life” was brilliant. It’s a great song that
the Beatles made kinda difficult to cover (although I have a 45rpm
record of Wes Montgomery doing it) but it was good to hear it being
done so well by Neil. He and his band are as capable of doing
cacophonous wig-outs as anyone, as we all know, but they somehow
managed to make the orchestral crescendos sound remarkably like the Sgt
Pepper version! I was sure I could hear the swirling strings but it was
coming out of bass, drums, piano, organ and guitars. For the second
crescendo he proceeded to break all the strings on “Old Black” and thrash the
pickups with them, at great length and to noisy effect. The middle bit
(woke up, fell out of bed) was perhaps a little off, and Nil seemed to
be forgetting the words or forgetting to go up to the microphone, but
the overall effect was unforgettable.

Pegi had utilised the illuminated vibraphone in a pleasantly Motownish
way earlier in the evening, but for the climax of “A Day In The Life”
Neil ran up to where it was located at the back of the stage and hit a
percussive version of the Beatles’ famous piano chord. Not quite as
cute as the Rutles’ “plonk”, but a good way to end.

Review by DC Cardwell (www.dccardwell.com)

FULL SET LIST (thanks to http://www.setlist.fm)

1. Love And Only Love
2. Sea Change
3. Everybody Knows This Is Nowhere
4. I’ve Been Waiting For You
5. Spirit Road
6. Cortez The Killer
7. Cinnamon Girl
8. Mother Earth
9. The Needle And The Damage Done
10. Light A Candle
11. Four Strong Winds
12. Unknown Legend
13. One Of These Days
14. Get Back To The Country
15. Words
16. Just Singing A Song
17. Rockin’ In The Free World
18. A Day In The Life

This “20 Album” thingo off the top of my head (by Marjorie Cardwell)

One of those Facebook questions doing the rounds…

Larry Norman – Only Visiting This Planet
Led Zeppelin – Houses of the Holy
Bob Dylan – Blood On The Tracks
Buzzcocks – Love Bites
The Beatles – Revolver
Jonathan Richman and the Modern Lovers – Rock’n’Roll With The Modern Lovers
Alpha Band – Statue Makers of Hollywood
Elvis Presley – Gospel Album
Al Green – Belle Album
Ella Fitzgerald and Louis Armstrong duets
Sam Phillips – Cruel Inventions
Hank Snow – The Day Tragedy Struck
Hank Williams – Greatest Hits
Ricky Nelson – Greatest Hits
George Jones – Greatest Hits
John Lennon – Rock and Roll
Neil Young – After the Goldrush
Django Reinhardt and Stephan Grappelly – best of
The Harder They Come – Soundtrack
American Grafitti – Soundtrack

 

SEE ALSO: DC’s Top 20 Albums

DC’s Top 20 Albums

[From Facebook – occasionally I give in and respond to these things…]

Here we go again… how did this happen to me!

THE RULES: Think of 20 albums that had such a profound effect on you they changed your life… dug into your soul. The ones that you know backwards, forwards, up, and down, and are now a part of you. Then when you finish, tag 20 others, including me. Make sure you copy and paste this part so they know the drill.
____________________________________

I thought this would be hard but I found it surprisingly easy to think of 20 that were pivotal in my life, at least as far as music goes. Only a few have affected me in non-musical ways.

And it was actually easier to put them in (roughly) chronological order of when I first fell in love with them, which I guess indicates how important they were to me. No modern music at all, because there is no good music any more. You kids don’t know squat.

I applied the usual rule of one-album-per-artist.

And as is often the case, black music and pre-rock music of all genres is woefully under-represented because there’s less of a focus on albums. My actual listening habits are very, very broad. I love all genres, and hate most music.

– DC

01. Larry Norman – Only Visting This Planet
02. Led Zeppelin – IV
03. Neil Young – Zuma
04. Bob Dylan – Bringing It All Back Home
05. Buzzcocks – Love Bites
06. The Beatles – Revolver
07. Al Green – The Belle Album
08. Hank Williams – 40 Greatest Hits
09. Alpha Band – The Statue Makers Of Hollywood
10. Aretha Franklin – 30 Greatest Hits
11. Elvis Presley – The Sun Sessions
12. Various Artists – 20 Reggae Greats
13. Stevie Wonder – The Original Musiquarium
14. Charlie Parker – some old “Giants Of Jazz” LP
15. Ella Fitzgerald – The Cole Porter Songbook Vol. 1
16. Sam Phillips – Cruel Inventions
17. Crowded House – Woodface
18. The Mutton Birds – Salty
19. Dave Dobbyn – The Islander
20. The Strokes – Room On Fire

SEE ALSO: Marjorie’s Top 20 Albums

DC’s Review of CROWDED HOUSE at The Forum, Melbourne, 2nd Dec 2008

[Originally on Facebook Notes] Here’s my belated review of the recent top notch Crowded House show in Melbourne, Australia. I’m writing this nearly two weeks after the show, and forgetting a lot of the details, so if anyone has a recording of the show I’d love to have a copy!

BACKGROUND

Crowded House are known for their unpredictable shows with improvised music, banter and on-the-fly audience interaction, and Tuesday, 2nd December at Melbourne’s Forum Theatre was a classic of the genre. (Although I have to admit I came late to them and have only seen them live a handful of times – I do, however, have numerous live recordings and videos so I am still qualified to make this statement!)

This was the first of two Melbourne warm-up shows for the band’s appearance at Sydney’s Homebake Festival. The house was packed.

For those of you who are not already fans of the band, I should mention that they split around 1996 and sealed their career with a massive free farewell concert outside the Sydney Opera House, which was also preceded by two wonderful warm-up shows at the Corner Hotel in Melbourne which my wife Marjie and I had the pleasure of attending.

Leader Neil Finn subsequently embarked on an interesting but slightly disappointing (to me) solo career, releasing two albums on his own and one with his brother Tim, interspersed by other projects such as a Split Enz reunion tour and a collaboration with musicians such as ex-members of Radiohead, the Smiths and Pearl Jam.

In the meantime, their much loved drummer and manic funny man, Paul Hester, sadly took his own life a few years ago, leaving a big gap which seemed impossible to fill. However, to many people’s surprise, Neil reformed the band a couple of years ago the new Crowded House are producing new songs and albums and generally acting as a vital unit, unlike some play-the-hits-take-the-money-and-run nostalgia merchants.

New drummer Matt Sherrod (ex-Beck) does his job admirably from a musical point of view, and wisely doesn’t try to emulate Hester’s humour and stage presence.

Original bassist Nick Seymour and guitarist/keyboardist Mark Hart (who joined as a fully-fledged member around the recording of their last pre-split album) are also back in the fold.

THE VENUE

Melbourne can lay claim to being the band’s spiritual home as they formed here and were based here for most of their career. The Forum Theatre is a fascinating place in itself, with ‘stars’ glowing from its ceiling, and faux architecture and Roman statues visible in large balconies to each side of the stage, giving the illusion of being outdoors in an exotic locale.

Apart from diners at the back of the room, most of the audience were standing fairly well-packed in front of the stage. Marjorie and I were around ten rows of fans back from the stage, and the sound was very good and, as usual at Crowded House shows, not too loud. The drums sounded natural, without that annoying, larger-then-life quality that you get too often nowadays.

THE ENTRANCE

The band came onstage with the house and stage lights down, wearing those miner-style camping lamps that you put on your head. They played the first song, ‘Locked Out’, like that, so that you couldn’t really see their faces. I think some stage lights also swept across the audience. It was like a low-budget version of something Neil Young might do. Quite artistic, really, and it actually felt faintly moving that they might have been implying that they wanted to see the audience rather than being seen by them.

When they discarded the lamps and the stage lights came up we could see that they were wearing the trim, dapper suits that they seem to have taken to this century. Neil’s hair hasn’t got any rulier. Nick was almost shaven-headed.

A little later Neil revealed that he had cut his forehead (very slightly) taking the lamps off after the first song, and he and Nick joked about how rock’n’roll that was. They said that there was a fine line between rock’n’roll and stupidity, and I think it was Neil who wondered if there is a line at all. Someone said that rock’n’roll was stupidity with lamps attached.

They talked a bit about which shops they had searched in that day for the lamps, and of course it was endearing to know that it hadn’t been some kind of long-hatched, professionally staged stunt.

Once the lights came up we could see a fabric backdrop painted to look a little like wallpapered walls with framed paintings of various members of the band, along with a couple of slightly weird androgynous nudes. Probably Nick’s work, but I’m only guessing.

THE HELP

The band have often used auxiliary musicians over the years, with Neil’s son Liam recently holding down guitar duties, Eddie Rayner out of Split Enz playing his baroque keyboards in their early days, and I recall Jools their female roadie playing keyboards occasionally. Tonight Neil’s younger son, Elroy, lurked in the shadows playing acoustic and electric guitars for many of the songs. He sported a beard not quite as fulsome as his older brother’s, and an immaculately coiffed hairdo which could probably absorb quite a few bullets if necessary.

Rather more visible was Don McGlashan, who used to be the leader of the sadly defunct Mutton Birds, and must nearly equal Neil Finn as a beloved New Zealand singer-songwriter and all-round national treasure. Marjorie and I adored the Mutton Birds (BTW, you can see our names on ‘Flock’, their Greatest Hits CD!) so it was rather strange, and in fact unsettling, to see him up there as a general musical dogsbody and not get the chance to sing any of his own compositions. We had assumed he would be the support act, but no, that was the enjoyable but unremarkable Anika Moa.

Anyway, as I mentioned, Don was at least visually quite prominent, with a modest elevated home behind Nick stage left. He had a small electronic keyboard close to hand, a guitar or two, a little gourd-like mandolinish thingy, a toy piano, something like a fluegel horn, and of course, his trusty euphonium. When I spotted its comforting form I yelled in Marjorie’s ear, “Don’s got his euphonium!” and she nodded in enthusiastic acknowledgment. However, a minute later she yelled back in my ear, “I thought you said he’s got his wee podium!”

Don also popped up over on the Mark side of the stage playing the real keyboards once in a while.

THE MAIN SET

The review in Melbourne newspaper The Age* referred to the set as ‘fan-friendly’ and indeed it was. There was only one indisputable classic in the entire main set, ‘Fall At Your Feet’, and that didn’t come until near the end.

I guess I should fend off arguments by stating that ‘World Where You Live’, the second song, is a near-classic, but not quite of the same mass-recognisability as ‘Weather With You’ or ‘Don’t Dream It’s Over’ (which didn’t get an airing tonight).

The audience didn’t seem to mind the five new songs they played, although I have to say I found them a little dull, rather like some of the lesser songs on ‘Time On Earth’, the band’s first post-reformation album, which had started out as a Neil solo album. I expect they’ll grow on me, though.

‘Lucky’ was the title of one of the new songs and they attempted to throw in a bit of The Kinks’ ‘Lola’ but they didn’t really know the chords – there’s one to practise for next time! Another impromptu cover was ‘You Sexy Thing’, one I’ve heard them do before.

One of the greater songs on ‘Time On Earth’ was ‘Don’t Stop Now’, which to me was a little flat on this occasion. Nick seemed a little uncomfortable playing the keyboard bit at the beginning while holding his bass, and the whole thing never quite took off. I’ve seen them do it before perfectly successfully though – I guess it might have been just another thing to iron out on the warm-up show.

Pineapple Head segued into a cover of The Beatles’ ‘The End’ which was rather nice.

Neil referred to the fact that he had dreamed the previous night about being in bed with Ed O’Brien and Phil Selway out of Radiohead. Those two appeared on his ‘Seven Worlds Collide’ project a few years ago, and are scheduled to play with him again when he revisits the concept next year.

When Paul was around it seemed that almost all the banter and humour originated with him, but now Neil and Nick are almost as chatty as ever without him. Nick was famously very much against splitting the band, and you get the impression that he’s very happy indeed to be up there again. Perhaps the fact that he had become a father a few weeks previously also had a bearing on his cheerful demeanour. He talked with fondness about going that day to Bernard’s Magic Shop on Elizabeth Street which he used to visit as a child but realising now that all the toys and tricks were really crap.

At one point Neil managed to rib Nick, as he often does, about the Seymour Family Singers, his family’s band which he was in with his parents and siblings when he was growing up. Snippets from such classics as ‘Three Little Maids From School’ ensued.

The normally taciturn Mark actually went up to the mike and opened his mouth as if he was going to speak, but then changed his mind. Later on, though, he actually did come up with a few words, as I recall.

I was particularly happy to hear a couple of my favourites, ‘Not The Girl You Think You Are’ and ‘Whispers And Moans’, and the opening bars of both were greeted with warm recognition from the audience, suggesting that I am not the only one to hold those two songs in high regard. They also revived the great ‘Chocolate Cake’, which was preceded by a series of samples that featured in the Woodface recording of the song. Afterwards there were some allusions to Obama and his recently announced ‘Money Team’ but rather than give an unqualified vote of confidence to their ability to get the world out of recession, Neil circumspectly said, “we’ll just have to wait and see”.

Before the gig Marjorie and I had noted a person at the bar dressed up in fancy dress as 1965 Bob Dylan or John Cooper Clarke (take your pick) with elaborate yet immovable hair. During ‘Love You Til The Day I Die’ this creature joined the band, played a lively guitar solo and was introduced as Davey Lane from You Am I. There’s a tradition around here for people to chant “The Best Cold Beer Is Vic” at a certain point in this song, but tonight Neil had to do it himself with hardly any help from the audience, and he seemed a little disappointed. I think it was originally a Paul Hesterism, but perhaps someone can help me out with the story. The phrase itself is a slogan for our local king of beers, Victoria Bitter.

THE FIRST ENCORE

In the first encore we were treated to ‘It’s Only Natural’, another big fave of Marjie’s and mine, and it was good, as always, but they didn’t really play that odd but lovely riff properly at the beginning, and, as in all the Woodface Tim/Neil songs, Tim’s backing vocals were sorely missed. I’ve seen shows before where Mark did a reasonably good job of replicating them, but at this show they were very weak indeed and one had to sing them oneself to achieve anything approaching the desired effect. I guess this is what ‘warm-up’ shows are for!

Neil asked the audience if they had any questions for the band and then found a loose microphone on a lead and asked the audience to pass it around to the speakers. He asked us to police ourselves and was duly impressed by the orderly fashion in which this was done, and even more so by the fact that the microphone returned intact at the end of it all. (Not quite as cute as a tale I once heard of Don’s euphonium being crowd-surfed from soundboard to stage with a few detours in between.)

One guy mentioned that his wife was about to have a baby and had to miss the gig because of it. He requested that Mark think of a name for it if it turned out to be a girl, and Nick if it was a boy. He said he was serious and the name would actually be used, but Mark cruelly came up with ‘Atticus’, which he had heard on some TV program the night before. Neil made up a snatch of a song “Attaboy Addicus”. Nick asked what the surname would be (I forget) and came up with the very boring but much kinder suggestion, ‘Emily’.

Then some guy answered Neil’s earlier question to the audience about when the back balcony had got walled up by saying that when Neil played solo there in such-and-such a year it was still open, and after that gig he and his band had gone home and learned to play ‘Private Universe’. This, of course, was a cue for Neil to invite him and his friends to come up on stage and play the song, so they guy got up but the other two members took a while to materialise. So in the meantime some other enthusiastic bloke got up as well. I toyed with the idea of doing likewise but two things stopped me: (a) I don’t really like ‘Private Universe’ and (b) I wasn’t sure that I could succesfully climb up on to the stage. Of course I regretted it afterwards.

Eventually the other two guys materialised and with the help of the real band they played and sang the song. But for me the highlight was the young girl who clambered up unnoticed by Neil and proceeded to play along on Don’s euphonium! Audience participation is commonplace at Crowded House shows but I bet this was a first!

They finished the first encore with ‘Weather With You’, again suffering from sheer lack of Tim, but benefiting from Don playing enthusiastically on his little toy piano held up to the microphone and rather effective for it. This is yet another perfect singalong song, but as I’ve noticed before, there are two versions of the chorus, both of which resolve differently. Generally the audience doesn’t know which version is happening at any one time, and the thing collapses each time the resolution is reached and half the people sing a different thing from the other half. However Neil made much of the fact that, for the first time ever, we actually managed to get it right! That’s a hometown audience for you! He got us to run through it again both ways just to make sure.

THE SECOND ENCORE

Neil began by playing a lengthy drum solo while Matt wandered over to the keyboards and started making sounds. Neil attempted to get a rendition of Paul Hester’s ‘This Is Massive’ going but it didn’t really work out. Apart from this musical allusion, I don’t think Neil mentioned Paul at all, even though he was a Melbourne man and it would have seemed very natural to talk about him here. Neil regularly paid tribute to Paul frequently on the earlier tours of the reformed version of the band, but tonight he didn’t and afterwards I was absolutely amazed to realise that I had gone through the whole concert barely consciously thinking of him at all! I guess that’s a good thing in that it means that Matt is doing a great job on drums, but I almost felt guilty when it dawned on me.

Then it was ‘Fingers Of Love’ which Marjorie absolutely hates. I don’t mind it too much but Marjie’s detestation always rubs off on me a little so that I can’t really enjoy it.

Then they sang a live favourite, their version of Nick’s brother Mark’s ‘Throw Your Arms Around Me’. An audience sing-along classic if ever there was one. We were happy that Neil gave Don a verse to sing, and he sounded truly magnificent. Only made me more cross that he didn’t get to sing any of his own songs!

Neil was clearly wanting the night to go on for ever and said that he couldn’t think of a way to end it so he gave Matt a drum solo. Parts of it seemed to me to be modeled along the lines of Led Zeppelin’s ‘Moby Dick’ so I was wishing the band to come in with that riff, but they had worked another Zep riff into ‘Chocolate Cake’ earlier so perhaps they didn’t want to overdo it!

Nick treated us to a rendition of ‘Hector The Safety Cat’ which must be some old Aussie public information film. I don’t think Neil had heard that one before.

Then they finished the night with ‘Better Be Home Soon’ – always a good way to end it! Throughout the evening the band seemed genuinely moved by the reception they got, and Neil specifically said that he didn’t want it to end. The show had lasted almost three hours and after a wildly received bow or two from the entire ensemble, Nick concluded it by warmly thanking his hometown of Melbourne.

– DC Cardwell 2008

Neil Finn – some banter from the gig

SET LIST (compiled from some other versions posted on the web – may not be entirely accurate but thanks to the kind anons from whom I pinched it)

1. Locked Out
2. World Where You Live
3. Isolation
4. Turn It Round
5. Pineapple Head/The End
6. Amsterdam
7. Don’t Stop Now
8. People Are Like Suns
9. Chocolate Cake
10. Not The Girl You Think You Are
11. Heaven That I’m Making
12. Lucky/Lola
13. Fall At Your Feet
14. Whispers And Moans
15. Love You Til The Day I Die
16. When You Come

_______________

17. It’s Only Natural
18. Cars Collide
19. Private Universe
20. Distant Sun
21. Weather With You
_____________

22. Neil Drum Jam/This Is Massive
23. Fingers Of Love
24. Throw Your Arms Around Me
25. Matt Drum Solo
26. Better Be Home Soon

_____________________

*Our son Samuel had mentioned to me the review in The Age but I couldn’t find it, and after I’d thumbed through the paper for some time Marjorie revealed that she’d used a few pages to wrap the Christmas Cake as it baked in the oven. She was kind enough to save the relevant article after the cake came out, and now I know that newsprint can survive such ordeals unscathed. I’ve heard of ‘half-baked’ reviews before, but I have the ‘completely-baked’ one in front of me as I type. It looks just fine.

What’s Happening In My Life?

My first newsletter, from 8th October 2007

Well, here it is: the first DC Cardwell Newsletter. Thanks so much for reading it – I really appreciate your interest in my music.

I don’t want this to be simply a duplication of stuff you can read elsewhere. On the other hand, it’s also aimed at those of you who don’t hang around Myspace or Facebook, so I do want to keep you up to date with what’s happening with my music.

MySpace Tom in the 50s
MySpace Tom in the 50s

Well, I’m still in the day job, in case some of you who know me from way back are wondering what on earth has happened. But a few years ago I started writing some songs and singing them myself, a bit of a departure for me. I seriously thought no-one would ever hear them, and in fact, even my own family didn’t hear them until relatively recently. However, I’d heard a lot about Myspace and decided to sign up for an account there, and pretty quickly I got fed up explaining to even newer people who its founder Tom Anderson was. I’d say “Tom Is Everybody’s Friend”, and of course, that’s just asking to be a song title. So one day when I was off work sick (really!) I recorded the song. I don’t think I’ve ever written and recorded another song so quickly and carelessly. I put it up on Myspace and suddenly found that people liked it, and they liked my other songs too.

And if you’re wondering why I’m not “David Cardwell” anymore, it’s simply because there are already more well-known “David Cardwell”s than you might imagine, and I didn’t want to have to compete with them on Google. Try searching for “David Cardwell”. Now search for “DC Cardwell”. See?

So if it ooks impressive, it’s really not. I’m still a medical scientist, still only play music for fun, and I still haven’t made a dollar out of my songs – I’ve sold a few mp3s on Martian Music but still haven’t recouped my sign-up fee! Nothing would make me happier than to be able to give up the day job (I’ve never liked it), but at my age, it’s probably not going to happen. But it has been an absolute joy to be able to make music and have people around the world listen to it and appreciate it! That, in itself, is success!

To bring you right up to date, my family and I have built a new home, in a suburb of Melbourne called Langwarrin, not far from Frankston where we live right now. It’s almost finished and we’ll be moving in sometime before Christmas.

DC in his new home recording studio, Oct 2007
DC in his new home recording studio, Oct 2007

THE BAD NEWS: I’ll be really busy for the next few months, as you can imagine, and probably won’t have time to write or record any new songs.

THE GOOD NEWS: Our new house incorporates a small (one room) soundproofed recording studio! Yeah! It will still have the same paltry recording gear in it, at least to begin with, but if the soundproofing is as effective as I hope it is, I should be able to make lots of noise more easily without annoying the rest of the family and the neighbours quite so much. Bear in mind that the rooms I recorded in up until now have been upstairs in a wood-framed house and so I have had to try and record extremely quietly, except for when I did the drum parts, at which time half of Frankston could have heard me. The other advantage will be that I can keep my gear set up and ready to use when inspiration strikes!

This photo is not exactly exciting, but in future newsletters I’ll include pictures of it as it starts to look like home. I hope to add to my gear to some extent as time goes by – with a proper audio interface for my computer and a better drum kit high on the list of priorities, but don’t expect a huge mixing desk – it’s not Abbey Road, just a small room, and I don’t really need a lot of inputs.

WHERE CAN YOU HEAR MY MUSIC?

MYSPACE: www.myspace.com/dccardwell [Yes, my MySpace page is still there as of 2012!]
I’ve already mentioned MySpace, which most of you are probably familiar with. This is where I first started to get some attention for my music, and really, let’s face it, right up to the present time just about my whole virtual “career” exists there! You don’t actually have to be a member to view my profile and listen to my songs there, in fact I think you can even read my blog without signing in. However you can’t send me messages, comments or friend requests or see my photos (big loss). On the other hand, it’s very easy to sign up if you can’t live without any of those features.

But if you dig around MySpace profile a little bit you’ll find all kinds of interesting things. It would be pointless to go into them here, so all I can say is, check it out!

If you want to help me out there, sending bulletins, comments, blogs and messages with some of my ReverbNation “widgets” would be fantastic. You can find a couple right on my MySpace page. Bulletins are probably one of the best things, as they go to a large number of people. Give them a catchy title. Repost some of my bulletins that you think might appeal to your friends. Also, you can put a widget on your profile. Mentioning me in groups or forums, or really anywhere, would also be good. Be creative! If you don’t know how to do this kind of stuff, ask me and I’ll help you out. My greatest weapon is you guys spreading the word around!

As well as MySpace, I’ve put some of my songs up on various sites over the last while but I haven’t really had time to “work” them the way I have with MySpace. Some of them could use input from my fans to give me a higher profile.

REVERBNATION: www.reverbnation.com/dccardwell
That’s the site which hosts this newsletter. Again, you can view my profile there without becoming a member. However, I highly recommend it for musicians because of the widgets and the FanReach system, which is how I run this newsletter. [Not any more – as of 2012 I’ve switched to Fanbridge] You can also sign up as a “fan”, and add me and other artists as your favourites. (I’d love you to do that!)

GARAGEBAND: http://www.garageband.com/artist/dccardwell/ [dead link]
This site is supposed to be good for the system whereby other people review your music and you can make it into contests and up charts. The catch is, to be eligible for entry to these you have to review a certain number of other artists’ tracks. I’ve started to do that but haven’t got around to doing enough reviews to gain entry to the charts… someday!

TRIPLE J UNEARTHED: www.triplejunearthed.com/dccardwell
An Australian site associated with the national radio station Triple J. Signing up here and writing a review of my songs would be cool.

NEIL YOUNG’S LIVING WITH WAR SITE: www.neilyoung.com/lwwtoday/lwwsongspage.html
This is a page which Neil Young set up as part of his neilyoung.com site, where he posts songs that are in some way related to questions of the war in Iraq in particular, and also war and peace in general. My song Peace And Love actually reached No. 3 there at one point, when I was actively encouraging people to go and click on it there, but now it has dropped down to number cough cough! Speaking of Peace And Love, did I ever tell you why I wrote it? My friend Tony told me that Ringo Starr uses the phrase “Peace And Love” all the time on his website, so he said I should write a song of that title and maybe Ringo would cover it. So I did. Of course, I haven’t the slightest clue how to get Ringo to pay any attention to a song of mine, and even if I did, I don’t exactly think it’s the kind of jolly singalong anthem that Tony had in mind!

YOUTUBE: www.youtube.com/DCCardwellsMusic
Videos… and more to follow presently!

FACEBOOK: www.facebook.com/dccardwell
I was amazed to find that you can add a few of my songs to the iLike application in FaceBook! I think it’s because they’re on Garageband and they automatically get linked across. So if you’re on FaceBook you can easily dedicate my songs to people or add them to any of your message or wall posts. Please feel free – it all helps! [“iLike” never really took off, did it, but Facebook did, and so did “like”… it’s now the best place to share my music – 2012 DC]

~ DC

[2012 note – for places to buy my music (and Marjorie’s) go straight to madcarrecords.com]

 

Some less well-known MySpace artists that I like (by DC)

[imported from MySpace – note that some of these links may well be dead by now]

Again, this list could be a mile long. I’ve been really enthralled by a lot of beautiful music on MySpace over the last year or so. I’ll try to keep adding to (or amending) this list, but it’s like “top friends”, it’s impossible to truly represent my feelings! Tell you what, though – these artists are all well worth listening to so why don’t you click on a few and tell them I sent you!

  • Don McGlashan (Former leader of the wonderful Mutton Birds and certified National Treasure in New Zealand – unquestionably a genius, and one of the best singers you’ll ever hear)
  • The Desert Downtown and Marshmallow (One of the secret weapons of The Mutton Birds was their bass player/occasional songwriter and singer, Alan Gregg, and these are two of his projects, both achingly tuneful in nature)
  • Maxi Dunn (One of the few women on the Jellyfish Tribute album. She’s just so good. I don’t know what it is about her songs – I can’t analyse why I like them so much. On the surface they sound a little 80s-ish for my taste, but I just want to play them over and over again, so she’s doing something that moves me!)
  • Martin Okasili (He’s from my hometown of Portadown, Northern Ireland, but I never met him. I read a rave review of him in Mojo once and eventually found him here on myspace, and, would you believe it, it turns out he is brilliant!)
  • The Electrolites (Don’t miss them)
  • Darren Sheppard (Clever guy from England who still knows how to write and play songs like the British bands of the 60s – many try but few succeed)
  • The Taters (Actually, this band from Virginia do a pretty good job at capturing that 60s sound, too! And I’ve heard first hand that they’re one of the greatest live acts on the planet!)
  • Steve Singh (Like the Beatles, but not like The Beatles. You know what I mean, even the Beatles were “like the Beatles, but not like the Beatles”, in that they never did what anyone expected)
  • Linda Draper (I love this music deeply)
  • Tender Slider (Brilliant music from my good friend Achim Degen in Germany)
  • The Aloha Mountain Groove Band (The name says it all! Features Renn Tiki)
  • Mike Dees (Rootsy pop songs from Memphis)
  • Crab Bubbles (Infinitely enjoyable pure pop from Japan)
  • Peter Farnan (This guy from Melbourne is a treasure – spends a lot of time working in various projects but is working towards a solo album which I’m looking forward to)
  • Jane Bayley (Partner of Mr. Farnan and equally wonderful – check out her Blossom Dearie-esque “Lovely Wife”)
  • Darren Keith (Amazing range and depth of material)
  • Jenny Queen (Americana, but don’t let that put you off!)
  • Teri LaBrecque (Writes and records all her stuff at home by herself, just like myself, but she’s a better singer and plays a more interesting range of instruments!)
  • Honest John (Sydney band – just got their new EP and it’s as good as anything new I’ve heard this year!)
  • Marty Williams (Marty is kind of a perfect singer and a great supporter of local music round here on the Mornington Peninsula, south of Melbourne, and he’s also in this band with his brother…)
  • Cousin Leonard (You’ll never see a happier crowd than those at their regular Sunday afternoon gigs at the Heritage in Balnarring!)
  • President Roots (Another excellent band from here on the Mornington Peninsula – their leader, Simon has a new song about Professor Longhair that I heard him play recently, and it’s an instant classic.)
  • David Rice (Folksy yet Beatle-tinged and eclectic Swedish artist.)
  • themillionstars (I’ve just discovered this duo, Rose and Malcolm Moore and I fell in love instantly. They make tough music.)
  • Father Bloopy (Quite a few people have likened me to Ray Davies and the Kinks, but this band’s singer deserves the comparison. Even better, the band have brilliantly strong songs and sound.)
  • Hugh Hamilton (Never mind his beautifully accomplished guitar playing and crafty songwriting, check out that wonderful Claptonesque voice of his!)
  • Ernie Dufour (This guy’s singing really affects me – you know how singers used to be back in the good old days of the 60s and 70s?)
  • Richard Cummins (Richard lives very near where I used to live in Canada, but we never met each other back then. He’s very accomplished and makes beautifully Beatlesque music in an effortless manner.)
  • Marjie Cardwell (Marjie is my wife and after a break of some years she has been doing some new recordings with me – on this page she has posted some covers that we have done live in our home studio, with Marjie and me on guitars, Samuel on bass and Chris Haylock on drums.)
  • The Good China (This band’s from here in Melbourne, where there’s a lot of good music made, but not much of it sounds like this. There are, like, nine people in it and they are a little like a slightly mellower New Pornographers. Nice visual style too!)
  • We All Want To (This band’s also from Australia – and, like the band above, they also sound like a more human New Pornographers. This is my kinda thing!)
  • Victor Stranges (Victor is a Melbourne artist with a huge talent for songwriting and a big, expressive voice. If you like classic Elvis Costello you’ll definitely like his songs and his sound. Check out his Myspace and say hi – he’s a nice guy too!)

Honest John is an Australian band I just got their new 5-track EP and it’s absolutely excellent. Not earth-shatteringly pushing forward the boundaries of music or anything like that, but there’s something about Glen Colley’s voice and his songs and the way the band delivers them that gave me the kind of feeling I used to have as a youngster when I discovered for myself people like Neil Young.

Another band is from here on the Mornington Peninsula – President Roots. I know their leader, Simon, and on Wednesday night he came along to the Balnarring Muso’s Night that Marty Williams runs. He did a few songs, sounding fantastic as usual, and he included a new one he’s just written which was just thrilling – a bit of a Nirvana feel to it, but it’s all about Professor Longhair, Fats Domino and, oh, just all kinds of mad stuff and it gave me a real kick!

Oh, and, to round the evening off he did “Dancing Queen”, segueing into about 6 other tunes, with me on bass and, though we say so ourselves, it was pretty darn funky and the dancefloor was hot! It was a little different from my rare version of Dancing Queen which brings out the song’s depressing, morose side.

~ DC