Samuel & DC Cardwell cover “Four Seasons In One Day” by Crowded House

This is from one of our first live webcasts in April 2014. It’s probably Neil Finn’s most famous “Melbourne song”, the achingly beautiful Four Seasons In One Day, from my favourite Crowded House album, Woodface. He wrote and recorded it when the band was based in Melbourne. It’s a common saying that Melbourne can have “four seasons in a day” because the weather can be quite changeable. Rather unusually, the temperature often does “drop away” by as much as 20℃ in a half an hour or so, especially after a period of extremely hot weather.

I won’t deny it – Neil does this better than I do! But I hope you enjoy this version nonetheless. Samuel helps out with some nice guitar and background harmonies. 

Ten Records That Changed My Life… REALLY changed my life.

Ten records that changed my life

Yesterday (8th Jan, 2014) a Facebook friend of mine, Bill Mallonee, posed the following question:

10 life changing records. (I know! It’s impossible!)
Take a deep breath & list ’em in less than 3 minutes.
Don’t over think it.

Well, you know what? I did over-think it. It’s pretty easy to reel off some of your favourite records, like I did here and here, but (being a pedantic git) I felt that if you’re going to describe something as life-changing it had better be something that really did have some particular concrete effect on your existence. So it took me longer than 3 minutes, but not much longer. Here’s a slightly edited and expanded version:

Ten Life Changing Records

Life changing? Life. Changing. Life changing. Records that really, really truly changed my life. Hmm. Not necessarily albums. Nor my favourite, nor the best, nor the coolest records.

1: Johnny Cash‘s first gospel LP (Hymns by Johnny Cash) – My parents had it it and it was probably the first record that felt blissful to me – that showed me how powerful music could be, even before I really became a “music fan”

2: Elton John‘s Crocodile Rock. For some strange reason hearing it on Top Of The Pops was a revelation to me that stupid, freakish, long-haired, ungodly, noisy rock’n’roll music was actually really great. [I know Crocodile Rock, while great, is not exactly the pinnacle of the form, but for me it was the key that unlocked the door.] It was the first record I ever bought and it instantly made me into a “music fan”.Ø

3-5: Larry Norman‘s three albums Upon This Rock, Only Visiting This Planet and Bootleg – My sister borrowed them and they taught me that rock’n’roll wasn’t evil and you could be funny, clever and talk about whatever you wanted [The Ku Klux Klan, Paul McCartney’s Hofner bass, venereal disease, Jesus]

6 – Neil Young‘s Zuma – I heard John Peel play the track Looking For A Love on the little transistor radio under my pillow one night in 1976. I’d never heard Neil Young before but I fell for the sound immediately. I went out and bought the album and it’s still, in my mind, the definitive “perfect electric guitar sound” that I basically strive for in my playing [much of the time, anyway].

7-9: Jonathan Richman & The Modern LoversRock’n’Roll With The Modern Lovers, Patrik Fitzgerald‘s Safety Pin Stuck In My Heart E.P.* & Wild Man Fischer‘s Wildmania!§ – the fact that Marjorie owned these three records that I also loved was a major factor in bringing us together at school in 1977, and we’re still married.

10 – Crowded House‘s Woodface – I’d gradually grown fond of them on the radio (They played Better Be Home Soon, Don’t Dream It’s Over, Fall At Your Feet, Sister Madly quite often on CFMI) when we lived in Vancouver, and finally bought the CD. Marjorie and I felt it was immediately fell for the album in a very, very deep way, particularly the first half, which seemed to representative another kind of perfect sound which we felt we’d been looking for all our lives. Marjorie loved them so much that (to cut a long story

11 – Some other Johnny Cash record – I was listening to him one day at work in the lab about ten years ago [I can’t remember which song but I think it was from his Sun years]

NOTES

Ø I subsequently bought the Daniel and Goodbye Yellow Brick Road 45s and was settling in for a lifetime of brilliant Elton John releases, but I wasn’t so sure about Saturday Night’s Alright For Fighting (it was OK, but I could think of better things to spend my 45p on)  and never again bought another Elton John single, or, for that matter, a post-1973 album of his. This was my first lesson in pop disappointment.

* Patrik was the first “folk-punk” guy (to release a record) in the original UK punk scene of 1976-78. I’ve always thought that Marjorie and I don’t have an “our song” in the way that Americans talk about it, but I guess Patrik’s Safety Pin Stuck In My Heart was Our Song!

§ Wild Man’s first, and most famous album, was the double album An Evening With Wild Man Fischer, about eight years before Wildmania!. This was his “comeback album”. John Peel played a track every night and I taped the whole album. I used to go round school singing the songs from it (and to think I say I only became a singer about ten years ago!) and some of the songs became quite popular among my friends. (“My name is Larry, I have a canary”, “I went to a disco in San Francisco” – you can see why).

One day Marjorie told me she’d got the album. I actually thought she was only joking as it wasn’t the kind of thing you’d find in the records shops in Portadown. And I think she was disappointed but didn’t really impress the fact on me. But some time later, when we were closer friends, I found it in her record collection and nearly died! It turned out she’d ordered it from “overseas” (i.e. England) out of an ad in the NME.

I spent years wondering how I could get the first album and I eventually found it in a shop in London. But despite it being, by far, the most famous and well-regarded, it’s nowhere near as good as Wildmania!, which, in my opinion, is where his art all came together in its most cohesive and beautiful form; in short, his masterpiece.

Yuendumu Benefit Gig featuring some of my friends!

My friends at TLC (Truth & Liberation Concern) in Bayswater (Melbourne) are putting on a benefit concert for youth programs in Yuendumu, which is a town in the Northern Territory of Australia. I was asked to perform at this concert but unfortunately I have a prior engagement for that date. It’s for a very good cause and you won’t regret going along! Some of the performers are very good friends of mine with whom I’ve recorded and performed before, namely Victor Stranges & Andrea Kocevska ~ DC


Yuendumu-Poster-banner-web

Yuendumu Benefit Gig

WHEN? Saturday, Sept 21st 2013
WHERE? TLC, 265 Canterbury Rd, Bayswater, VIC
TIME? 6-10 pm

Peter York & The Ordinary Brothers

(with Adrien March)

Steve Messer & Strange Country

Gerry Holmes, Dom Godfrey & Darryl Thompson

Victor Stranges

Andrea Kocevska

Androo Crothers

Ahhhcapella Singers

AND MORE TO BE ANNOUNCED!

$10 entry (supper included)

Please invite your friends too!

“Caring, Acting, Sharing with those in need of a hand up”

Contact:

Jennifer Wallace (click to email)

CLICK BELOW for videos by my good friends Victor Stranges & Andrea Kocevska who will be performing at the concert. 

DC Cardwell’s “I Am Still The Same” video at US film festivals

Student film official selection at SoCal and Newport Beach Film Festivals!

Newport Beach Film Festival -logo
SoCal Film Festival 2012 Badge

“I Am Still the Same”, the remarkable video for DC Cardwell‘s award-winning song, has been selected for two film festivals in California –  the 2012 SoCal Independent Film Festival and the 2013 Newport Beach Film Festival!

The film was directed by David McGorlick, a young Melbourne film student. This is a very well-deserved recognition of his talent, especially considering it was his first serious film.

To further illustrate how remarkable this achievement was, at the Newport Beach festival the film was screened amongst a set of major videos from some particularly stellar artists, including The Black Keys/RZA, Sigur Rós, Alt-J, No Doubt and Edward Sharpe and the Magnetic Zeros!

 In 2011, McGorlick, who was studying film at university, had asked his friend DC if he could use “I Am Still The Same” in a video for an assignment. DC was happy to allow the use of the song and expected the end result to be proficient but not particularly remarkable as it was the first “proper” film young David had ever made. McGorlick ran his broad ideas past the songwriter for approval, but apart from DC’s firm request that there should be “no overacting!” (he needn’t have worried), the entire creative side of the project was left on McGorlick’s shoulders. 

David McGorlick and DC Cardwell Mar 3 2013 (12-CP)
David McGorlick & DC Cardwell

McGorlick shot the video on a borrowed Canon 7D digital SLR, noted for its ability to impart a “film look”. No extra equipment was used and friends were roped in as actors and crew.

The result was an incredibly profound, thought-provoking and even disturbing statement which took some of the ideas in DC’s award-winning song and cast new light on them.

“I think David is an exciting, emerging talent. I’ve worked with a lot of well known directors and can already see David’s aptitude for storytelling and strong visual sense. Definitely keep an eye on him.” – Michael Garcia, former Creative Vice-President of HBO (Sopranos, Six Feet Under, The Wire, Big Love, True Blood etc.

You can watch this astonishing short film here:

I Am Still The Same: The Story Behind The Song
http://dccardwell.com/i-am-still-the-same/

“I Am Still The Same” on IMDb:
http://www.imdb.com/video/wab/vi3021120025/

“I Am Still The Same” at Newport Beach Film Festival
http://newportbeach.festivalgenius.com/2013/films/iamstillthesame_davidmcgorlick_newportbeach2013

[Updated May 2013]

Postcard for DC Cardwell, David McGorlick music video I Am Still The Same

MUSIC AT THE MISSION: DC Cardwell & Victor Stranges live in Melbourne Docklands 22nd Mar 2013


♦MUSIC AT THE MISSION♦

Presented by Global Onslaught

Victor Stranges & DC Cardwell performed at the launch of this cozy & cool new venue in the Docklands heartland of Melbourne. The (mainly) acoustic show was performed in an intimate courtyard within the historic building, Mission To Seafarers, located in Flinders Street, Melbourne. The evening was presented by Global Onslaught and was the first night of a series of Music At The Mission shows.

Victor & DC performed their own songs to an enthusiastic audience, and also threw in a few covers, accompanied by Joel Cardwell on bass & guitar and Samuel Cardwell on bass & lap steel guitar. Up-and-coming Melbourne singer-songwriter Andrea Kocevska also performed some of her original songs with DC on guitar.

(Thanks to Mondo Quinn for most of these photos.)

Here’s a video of me (DC) singing “Know Me” at the gig, accompanied by Samuel on bass and Joel on guitar. We’d intended having the boys the other way round so Joel was a bit taken by surprise having to play a lead solo on it, but I think he came out of it with his reputation intact! (Thanks to Rod Neason for the clip.)

After the show, I asked someone about the mysterious dome that can be seen down the other end of the building (see the photo at the bottom of this page). I was led down to it and instructed to take my guitar too. Apparently it was a “personal experience” and no one would tell me what was special about it! It turned out that the acoustics are rather astounding. When you stand in the centre and try to speak, there is so much echo that you can’t make out what you’re saying and it’s almost impossible to say a whole sentence, never mind have a conversation! There’s an echo, slightly longer than a “slapback”, that actually seems louder than the original sound you make. When I played guitar, though, it sounded rather beautiful the way the sound bounced around, and I quite happily played it for a while. Then I was asked to sing The Beatles’ Blackbird, and I found it was a little easier to sing than speak. I wouldn’t say it was ideal acoustics for listening, but it was fascinating. Here’s a video that Rod Neason shot of me. Thanks to Jennifer Wallace for the impromptu harmonies!

Victor: www.victorstranges.com
DC: www.dccardwell.com
Andrea: www.reverbnation.com/andreakocevska
Global Onslaught: www.globalonslaught.com


Mission To Seafarers-Docklands-Melbourne
Mission To Seafarers, Melbourne Docklands
The dome is pretty cool, too!

Poster-Music at the Mission-Mission to Seafarers-Melbourne Docklands-DC Cardwell-Victor Stranges-Global Onslaught-Web

 

Crowded House are the reason we’re in Australia

If it weren’t for Crowded House we wouldn’t be living in Australia. Kinda. Sorta. Pretty much.

Marjorie and I came to the band late, not long before Together Alone came out, when I picked up Woodface somewhere on CD and we instantly realised that tracks such as It’s Only Natural and Fall At Your Feet were a kind of music we’d been yearning for but had never really managed to find except in our own heads. We lived in Vancouver, Canada at the time and when we moved there in 1988 from Northern Ireland we were simultaneously perturbed by the prevailing poodle bands on the charts and heartened by the fact that every time we turned on CFMI classic rock radio while driving we heard the likes of Steely Dan, Van Morrison and other artists who seemed forgotten back home, swept away by the punk that we ourselves had loved and followed.

We were both “pop music literate” and knew that Neil had been in Split Enz. We loved I Got You when it was a hit in the UK. I’d heard Better Be Home Soon in the car on this “classic rock radio” which seemed unique to the New World, and been struck by its Beatlesque qualities. And we both knew Don’t Dream It’s Over, of course, and had admired it vaguely from a distance. And I recalled seeing them once on the MTV VMA awards (see video) and being astounded that they seemed to be a real band, playing real instruments and singing a real song. With a Hammond organ! In the 80s! Ever since then I’d made a mental note to buy one of their albums, but it simply didn’t happen until I picked up Woodface at a bargain price in 1993.

Live in Canada

Sadly, drummer Paul Hester had quit the band just two weeks before we first saw them in Vancouver and Seattle, but they were still a revelation live, a band who played smart, concise pop songs in the spirit of the “jam bands” – they never played a song the same way twice and you never knew what was going to happen at any moment. Neil Finn was edgy in the sense that at any moment he felt the freedom to do whichever option popped into his head, whether it was to morph into a random cover, play an extended free-form guitar solo, swap instruments with the drummer, write a song on the spot based on the support band’s setlist, have the band jam along to a demo CD that an aspiring musician threw onto the stage…

19940506-Crowded House-Paramount Theater-Seattle-6-May-1994-backstage pass-DC CardwellCrowded House backstage pass!

We managed to score backstage passes for their Seattle show. The show was great but being backstage afterwards wasn’t the most exciting of experiences. However, I guess there was a certain thrill of anticipation and the pass itself is quite nice!

I was hacking gently into the hospital computer system at my work and discovered that the network was hooked into a mysterious entity, The Internet, involving such things as “gophers”, a search engine named “Veronica” and something called “email”. Much to my surprise I found that there was an active group of Crowded House fans exchanging information, and that I was even able to set up an email account on my home computer using Vancouver’s Freenet text-based email service. Marjorie and I joined this community, known asTongue In The Mail, and in fact we’re still in it (although it’s been partly superseded by the Frenz forum, which I also use).

Trip to New Zealand

At one point in 1995 Crowded House were about to tour New Zealand and there was a vague feeling in the ranks that they might split up soon and this could be their last outing. I vividly recall saying to Marjorie, “You should

Crowded House-Palmerston North-New Zealand-6-Feb-1995-B-ticket-DC CardwellMarjorie’s Ticket for the show in Palmerston North, New Zealand

go and see them!” while realising that this was completely unfeasible. However, she took me at my word and three days later she was in New Zealand! She’d made arrangements to meet up with various people we’d met online, and she traipsed around after the band. Some of the people she met were close to the band and managed to get her backstage where she met, not only the Crowded House members and Tim, but Mr. and Mrs. Finn senior. This was, needless to say, quite a bit of fun. She had coffee with Mike Chunn (Split Enz bass player) and Dave Dobbyn and generally was made very welcome on the other side of the world. Even back then we felt really old and grown-up, having two children and being well settled down, so it seemed almost ridiculous that Marjorie should be on such an adventure. We’d sometimes play our own gigs at Vancouver’s rock clubs, look around and think “we’re old enough to be these people’s parents and I’m sure they think we’re like old fogies from another era!” Of course, looking back, we were only in our early 30s and nearly 20 years later we’re still running after bands and and still playing to people who now could practically be our grandchildren!

Crowded House, New Zealand 1995 - by Marjorie CardwellMarjorie’s photo of Crowded House in New Zealand

But that’s beside the point. Marjorie had a stopover in Melbourne on her way back to Canada. Neither of us had ever been to Australia before, but Marjorie simply fell in love with this city. Another internet friend took her round to see some of the Crowdie sites, such as Paul Hester’s café and Neil Finn’s old house where he wrote many of the Woodface songs.

When she returned to Vancouver, Marjorie simply said “We should move to Melbourne, it’s really nice!” Of course, this is easier said than done, especially when you have two small kids and an elderly mother-in-law (Marjorie’s mother) who lives with you. But we got the permanent residence visa application forms and had a look at them. We’d already emigrated once so the forms weren’t daunting in the least. We figured out that I, as a medical scientist, would have a reasonable chance of being accepted, but that if you were over 35 you had extra “points” taken off which would effectively scupper your chances of getting a visa.

However, two weeks before I turned 35, I mentioned that if we didn’t do it now we’d never get a visa. So we sent of the forms just so that we could say we’d had a go. Very shortly afterwards we got a letter saying that we’d been accepted into Australia! No interview or anything! And with that piece of paper in hand, we decided we may as well go and see what it’s like to live in Australia.And anyway, Vancouver is “really nice” too, to say the least! It consistently vies with Melbourne for the title of “The World’s Most Livable City” and it’s undeniably beautiful and comfortable. And we loved the Canadian people and had many close friends. So we filled out the forms but didn’t bother sending them.

We moved in 1996, two boys and aging mother-in-law in tow (she’s still living with us 16 years later!) and have never regretted it, despite occasionally longing for real mountains, snow, the smell of cedar and the warm hospitality of Canadians… not that Australians aren’t hospitable, but they’re different.

Move to Australia

We stopped over in Auckland on our way to Australia, and were wined and dined very generously by ex-Split Enz members Paul Crowther and Mike Chunn. (We’d previously met Paul Crowther at a Mutton Birds show in Vancouver’s Railway Club when we popped in after our own gig over the road.)

ENZSO-Melbourne Park-Melbourne-4-Feb-1997-ticket-DC Cardwell

ENZSO Ticket (Split Enz with the New Zealand Symphony Orchestra) 1997, Melbourne

One of our ENZSO tickets

As soon as we arrived in Melbourne we heard that there was to be an ENZSO concert in the Rod Laver Arena. Exasperatingly, we couldn’t afford to go but I got a job after only two weeks and the first thing I did was buy tickets. Due to a slight misadventure we arrived slightly late and it was a very bizarre feeling to walk into a packed arena-sized venue and hear a full orchestra playing Six Months In A Leaky Boat with the audience lapping it up!

We’ve seen an amazing run of Finn-related events here in the hometown of Split Enz and Crowded House. The most memorable – sorry, unforgettable – were the warm-up shows for the Sydney Opera House Farewell To The World mega-show in which we got to see Crowded House with Paul Hester two nights in a row, up close, at the intimate Corner Hotel, thus more than making up for having missed out on seeing him with Crowded House before he quit them. It was very much a “who would have thunk?” experience for us.

We saw two more impromptu reunions of core members Finn, Seymour and Hester, one at “Hessie’s Shed” in the Espy Hotel, St Kilda and one at the TV recording of a Neil Finn solo show. And then, tragically, Paulo was gone, his life snuffed out by his own hand in this very city. But that awful incident doesn’t erase our memories of the sheer, joyful, uninhibited exuberance that he personified on stage.

Ticket for Corner Hotel warm-up show, 1996Ticket for Corner Hotel warm-up show, 1996

We got to see another Crowded House warm-up at the Corner Hotel, this time for their comeback tour. And it was surprisingly magnificent! Neither Marjorie nor I have warmed hugely to the two albums by the reunified band (save for about three great tracks on the first one which are up there with their greatest work), but the live shows have been almost as good as ever. And it’s typically admirable of Finn and Co. that they haven’t just done the get-together-and-play-the-old-hits-for-the-money-on-a-nostalgia-tour thing, but they’ve done it as a real band, written new material and simply carried on from where they left off. We may never get another Woodface, but on the other hand, perhaps we will!

~ DC Cardwell

NOTE: This is a quick, rough piece that I wrote as a comment on another blog, but it got too big so I posted it here instead. I may well come back to it , tidy it up and expand (or maybe contract) it later on. It’s also subject to revision by Marjorie if I’ve got some of the facts wrong!

Noel Fielding, Athenaeum Theatre, Melbourne, October 24, 2012 – review by Marjorie Cardwell

Marjorie Cardwell reviews a Melbourne show by Noel Fielding, AKA Vince Noir out of The Mighty Boosh

This is the first time Noel Fielding has been in Australia for nearly 10 years. Since then he has achieved widespread recognition for The Mighty Boosh, as well as his own TV show, “Luxury Comedy” and “Never Mind The Buzzcocks“. Marjorie appears in Noel’s book “The Scribblings of a Madcap Shambleton” in a photograph artistically defaced by Mr. Fielding himself (see below).

Noel Fielding was a revelation last night. Although I’m a big fan, I actually had no real expectations for his solo show, particularly since he had cancelled the night before due to a stomach upset.

I needn’t have worried – he was a delight! He was a pixie full of good humour and energy and it was obvious that he is in that class of performers who transcend the competent to the clearly inspired.

I laughed SO hard even at routines I’d seen before because they were expanded and fresh. The Fly and The Moth had me gaping in wonder and convulsed in laughter at the same time – it’s surprising I didn’t choke on a few flies myself. Monkey Edwards was a tour de force. His Australian special Joey Ramones and Moon were especially endearing and our own Botanic Gardens bats will forever be thought of as ‘fruit dogs’ now!

Noel Fielding is a charming, ageless, delightful, clever, generous, inspired and inherently hilarious creature with the strength and stamina of an ox. I hope Australia sees a lot more of him and he stays off the duck curries.

I could also describe it as a masterful performance, because it was. Very impressive indeed.

Marjorie Cardwell in The Scribblings of a Madcap Shambleton by Noel Fielding

~ Marjorie Cardwell

PS: If  you were also there, or at the Thursday show, we’d love to hear your thoughts!

New Beatles solo covers – check ’em out!

Hi – DC here!

We came back from a trip to Ireland a few weeks ago and on my return I decided to focus on updating my Youtube channels and adding some more videos.

I have new original songs in the pipeline but people on Youtube seem to love covers so I’ve been knocking off a few and plan to do more as it’s kinda fun and easy 🙂

My latest two have both been Beatles’ solo songs.

Just yesterday I filmed this version of John Lennon’s “Love”

And last week, after seeing the George Harrison documentary by Martin Scorsese, I recorded this ukulele version of “Here Comes The Sun”.

I hope you like them. Please share on Facebook and via email. And if you’re on Youtube, I’d LOVE you to subscribe to my channels so you can hear about each new video I upload.

Here are the links to our three channels.

Thanks for watching & listening!

~ DC

PRESS
“Melbourne’s DC Cardwell is a singer-songwriter that should appeal to fans of Neil Finn and David Grahame, and he has the ability to excel on both the slower, acoustic numbers as well as the up-tempo pop gems. You’ll only need to go a few tracks into Some Hope to realize this as the beautiful, gentle opener “I Am Still the Same” and the lovely, spare “Birthday Present” are followed by the catchy power pop of “Peace and Love”. Aside from these three, there are plenty of instant classics to go around like the breezy “Way With Words”, the harmonica and handclaps of “A Minute of Your Time”, and the jangly “Tom is Everybody’s Friend”. 16 tracks in all here, so it’s quality and quantity.”  Steve, Absolute Powerpop

“DC Cardwell creates a heart felt acoustic gem here, full of wonderful melodic hooks and a Ray Davies styled vocal. The gentle minor chords and harmonies that open “I Am Still The Same” are both brilliant and poignant. “Birthday Present” is another example of solid composition and a revelatory Harrison styled guitar break. Some of the mid-tempo ballads (“The Quiet Ages”) are like magical combinations of both Paul Simon and McCartney.”  Aaron Kupferberg, Powerpopaholic

“I have a great respect for your songwriting and style. You have a unique delivery that for the uninitiated conjures the vocal prowess of Thom York blended with the edge of John Lennon and a tip of the hat to Bob Dylan.”  Doug Mitchell (Recording engineer/producer),

 ReverbNation       Twitter       Artist Website       other

DC’s been busy… new videos, benefit album, gigs etc!

Hi, DC here,It’s been a busy time for me!First of all, I’d like to invite you to help with raising money for the innocent victims of the war in Libya. I was asked to contribute a track to the MUSIC FOR LIBYA album, which is available HERE for only $9.99. All of the proceeds will got to purchasing food to send into Libya. More details at the site.

Secondly, if you’re in Melbourne, I’m playing at a benefit for the Christchurch earthquake on Saturday night (9th April 2011). It’s in Bayswater at Truth, Liberation & Concern, 265 Canterbury Rd, Bayswater (Melbourne). There are some other excellent artists on the bill.

[EDIT: here are some highlights of this gig, featuring me along with Adrian Austin, Marjorie Cardwell and our son Samuel.

Thirdly, I had a great gig at the Chandelier Room with Victor Stranges and the band and you can see a 15 min. video of that here:

Fourthly, many people voted in my Facebook poll, “What Song Would You Like Me To Cover?” and the top votes were for:

1. HARVEST MOON: 48 votes
2. BLACKBIRD: 37 votes
3. WATERLOO SUNSET: 32 votes

I already have a version of Blackbird on YouTube so I recorded myself singing Harvest Moon and Waterloo Sunset and posted them on my YouTube “Covers“.

Harvest Moon – Neil Young cover by DC Cardwell
Waterloo Sunset – Kinks Kover by DC Cardwell
Blackbird – Beatles cover by DC Cardwell

BIG news from DC Cardwell [Newsletter 2nd Dec 2010]

DC Cardwell's Some Hope album with CD (200w)

Whew! It’s all happening!


(1) My album Some Hope has been re-released in the US on a small company named Gladyce out of Portland, Oregon. It’s newly repackaged in a beautiful gatefold LP-style cardboard sleeve with new artwork. Sixteen (true!) tracks of pure goodness. The CD is available from Bandcamp, CD Baby and my website (dccardwell.com)

Or you can find it on iTunes or Amazon. [EDIT: Also Spotify]


(2) Possibly even more exciting for me, next week I’m flying to Los Angeles to record some songs for a movie with ace producer/composer/musician Jaymee Carpenter (www.jaymeecarpenter.com).

Jaymee has a very impressive resumé which includes writing music for That 70’s Show and 3rd Rock From The Sun and the Paramount Pictures blockbuster The Fighter starring Mark Wahlberg, Christian Bale & Amy Adams.

“How did this come about?”, I hear you ask, not unreasonably. Well, just a couple of weeks ago a friend of mine sent a youtube link of my song ‘Birthday Present’ to someone else, who then sent it to Jaymee. He loved it, checked out the rest of the album, and contacted me to say he wanted to work with me for this movie project. Which just  goes to show how important it is to get your music out there and for your fans and friends to share it in every way possible!

DC & Victor play Ruby's Lounge, Nov 2010, with Samuel and Chris
DC & Victor, Ruby’s Lounge, Nov 2010, with Samuel on bass

(3) And finally… this coming Sunday, my friend and partner-in-crime Victor Stranges are showing off our new band at www.chandelierroom.com.au in Moorabbin (just south of Melbourne). The show’s at 4pm and it’s free entry to this really cool family-friendly venue! We’ve played there before and everyone agrees that it’s one of the best places around to play in. Really nice vibe, good stage and PA and a nice little bar/shop. It’s at:

Ruby's Lounge 20101117-Chris Haylock-203h
DC & Victor, Ruby’s Lounge, Nov 2010, Chris Haylock on drums