DC Cardwell’s first live webcast – 17th & 18th April 2014 on NuMuBu!

Momentous news! I will be making my first live webcasts on 17th & 18th April 2014!

Yes, two of them, so that you’ll able to find one that suits your time zone no matter where you are in the world.

What will I be playing?

Samuel will be playing with me on at least one, and maybe both shows. I’ll be playing some old faves, along with new songs from my upcoming album. I might even throw in a cover or two! We’ve practiced songs by Neil Finn and The Band but it will depend on how the mood takes us… or you can always fire requests at us via the live chat box.

(But we probably won’t do Freebird or Khe Sanh no matter how much you beg, I’m just telling you now.)

Thanks to NuMuBu

DC Cardwell-Numubu Webcast-April 2014-posterMusic network NuMuBu is the platform I’ve chosen for this broadcast. You don’t have to be a member to watch, and you’ll be able to chat with me live during the shows. There will also be a “tip jar” but it’s free to watch so there’s no obligation.

(Although you don’t have to be a member, I’d like to take this opportunity to recommend NuMuBu, especially to musicians, but also to music fans. It’s free to sign up, and you’ll be amazed at how many famous, nay, legendary artists are actively involved!)

When and where?

See the table below for a guide to the times in various time zones. And when it’s time to watch, just go to numubu.com/dccardwell and click on “Live Broadcasts” on the left hand side.  Easy!

You can even watch on your iPhone, iPad or Android device, but you will have to first download the Puffin browser and use that to view the shows. (But bear in mind that the free version of Puffin only works from 9 am to 4 pm! Huh… how about that!)

Time Zone EPISODE 1 EPISODE 2
Melbourne/Sydney Thu 8 pm (17th Apr) Fri 12 noon (18th Apr)
London/Belfast Thu 11 am Fri 3 am
NY/Toronto Thu 6 am Thu 10 pm
LA/Vancouver Thu 3 am Thu 7 pm
Other time zones Ep 1 click here Ep 2 click here
When it’s time to watch, go to the link below…
www.numubu.com/dccardwell

 

 

 

 

 

 

Yuendumu Benefit Concert in Melbourne for NT youth – 7th Feb 2014 at TLC

Yuendumu Benefit Gig

A benefit concert for youth programs in Yuendumu, a town in the Northern Territory of Australia

WHEN? Friday, 7th Feb 2014
WHERE? TLC, 265 Canterbury Rd, Bayswater, VIC
TIME? 7 pm

 

Steve Messer’s Strange Country

Country, bluegrass, blues & gospel

The Sweet Sorrows (Sammy & Kylie Horner)

Toronto based Irish troubador & Australian songstress

DC Cardwell, Victor Stranges & Andrea Kocevska

Melbourne singer/songwriters

$20 entry (supper included)

Please invite your friends too!

“Caring, Acting, Sharing with those in need of a hand up”

Contact:

Jennifer Robinson (click to email)

CLICK BELOW for videos by me and my good friends Victor Stranges & Andrea Kocevska who will be performing with me at the concert.

And below the videos is a map to the venue… now you have NO excuses!

The blue marker below shows the location of the venue (TLC)


View TLC (Truth & Liberation Concern) in a larger map

Poster for Yuendumu Benefit Concert 2014 (poster by DC Cardwell)

Poster for Yuendumu Benefit Concert 2014 (poster by DC Cardwell)
Click on the image to download a full-size version for printing

MUSIC AT THE MISSION: DC Cardwell & Victor Stranges live in Melbourne Docklands 22nd Mar 2013


♦MUSIC AT THE MISSION♦

Presented by Global Onslaught

Victor Stranges & DC Cardwell performed at the launch of this cozy & cool new venue in the Docklands heartland of Melbourne. The (mainly) acoustic show was performed in an intimate courtyard within the historic building, Mission To Seafarers, located in Flinders Street, Melbourne. The evening was presented by Global Onslaught and was the first night of a series of Music At The Mission shows.

Victor & DC performed their own songs to an enthusiastic audience, and also threw in a few covers, accompanied by Joel Cardwell on bass & guitar and Samuel Cardwell on bass & lap steel guitar. Up-and-coming Melbourne singer-songwriter Andrea Kocevska also performed some of her original songs with DC on guitar.

(Thanks to Mondo Quinn for most of these photos.)

Here’s a video of me (DC) singing “Know Me” at the gig, accompanied by Samuel on bass and Joel on guitar. We’d intended having the boys the other way round so Joel was a bit taken by surprise having to play a lead solo on it, but I think he came out of it with his reputation intact! (Thanks to Rod Neason for the clip.)

After the show, I asked someone about the mysterious dome that can be seen down the other end of the building (see the photo at the bottom of this page). I was led down to it and instructed to take my guitar too. Apparently it was a “personal experience” and no one would tell me what was special about it! It turned out that the acoustics are rather astounding. When you stand in the centre and try to speak, there is so much echo that you can’t make out what you’re saying and it’s almost impossible to say a whole sentence, never mind have a conversation! There’s an echo, slightly longer than a “slapback”, that actually seems louder than the original sound you make. When I played guitar, though, it sounded rather beautiful the way the sound bounced around, and I quite happily played it for a while. Then I was asked to sing The Beatles’ Blackbird, and I found it was a little easier to sing than speak. I wouldn’t say it was ideal acoustics for listening, but it was fascinating. Here’s a video that Rod Neason shot of me. Thanks to Jennifer Wallace for the impromptu harmonies!

Victor: www.victorstranges.com
DC: www.dccardwell.com
Andrea: www.reverbnation.com/andreakocevska
Global Onslaught: www.globalonslaught.com


Mission To Seafarers-Docklands-Melbourne
Mission To Seafarers, Melbourne Docklands
The dome is pretty cool, too!

Poster-Music at the Mission-Mission to Seafarers-Melbourne Docklands-DC Cardwell-Victor Stranges-Global Onslaught-Web

 

Saturday night gig – DC Cardwell & Victor Stranges, Idle55 & Rachael Byrnes – Chandelier Room, 13th October, 2012

On Saturday (13th Oct 2012) I’m playing a show at my favourite local venue, The Chandelier Room, Moorabbin (in Melbourne’s near SE), with my friend Victor Stranges (www.victorstranges.com). [EDIT: Sadly, the Chandelier Room is no more.]

Rachael Byrnes, Idle 55, Victor Stranges and DC Cardwell

Most of my recent live shows have been in partnership with Victor, who is a brilliant singer and songwriter. We usually alternate between his songs and mine. His are so well-written that I always say they “practically play themselves!” There’s something about his chord-progressions, melodies and song structures that makes them just “work”, and it’s not that they’re simple – they’re actually fairly complex and almost every song has some little twists and surprises, but once you know them, they’re a lot of fun to play. I feel that my songs are different – with mine you have to work harder at getting the feel right. I hardly ever play my songs the same way twice, and there’s always a chance they might fall over!”

As usual, my son Samuel Cardwell will be on bass, and his playing is worth the price of admission alone. Very few people apart from Paul McCartney play with his gift of melodicism on the bass. The fact that he plays our little Hofner “Beatle bass” copy only adds to the illusion!

The full line-up is:

  • 8:30 pm – Rachael Byrnes
  • 9:30 pm – DC Cardwell & Victor Stranges
  • 10:30 pm – Idle 55

I haven’t heard the other two acts, but The Chandelier Room has really good quality control so I’m sure they’ll be well worth seeing (and hearing).

The venue’s own blurb says “Saturday nights at The Chandelier Room are the perfect weekend escape – three stunning acoustic acts in a serene, comfy lounge environment” and they do not lie!

Here’s a video of us playing at the Chandelier Room with our sadly missed friend, Chris Haylock, on drums

It really is [EDIT: was] a gorgeous little room, with a bar and quality pub food available. It’s also family friendly.

If you haven’t been there before you might be surprised when you find the street because it looks like an industrial area. In fact it IS an industrial area! But don’t be put off. The Chandelier Room started out as a rehearsal studio complex (and still is), but the owners, Anthea Palmer and Graham Rowlands decided to convert part of it into a gig space and they have done a wonderful job. The atmosphere is great, the sound system is classy and it’s totally music-oriented and puts the customers and artists first.

~ DC

New Live Album you can download for FREE!

By public demand (one person) here’s a 12-song live album of my gig last week with Victor Stranges & Samuel Cardwell at The Chandelier Room.

You can preview it and download it for FREE – just click on this link which will take you to the album on Bandcamp.

TRACK LISTING

1. Is There Someone To Thank? (Victor)
2. Peace And Love (DC)
3. My Happiness (Victor)
4. Let’s Make This A Good One (DC)
5. When The Morning Comes (Victor)
6. I Am Still The Same (DC)
7. Know Me (DC)
8. Not Alone (Victor)
9. Something Worth Voting For (DC)
10. Hello Me To You (Victor)
11. A Minute Of Your Time (DC)
12. I Don’t Want To Hear Your Crying (Victor)

Click here to listen or download for free!

Complete DC Cardwell Band gig on Youtube

You can watch the whole DC Cardwell Band show at Ha’penny Bridge, Frankston from Jan 13 – just click on the thumbnail at the end of this post. All the songs will play one after the other, and you can also find them individually on my Youtube Channel (youtube.com/dccardwellsmusic)  if you’d rather dip in a song at a time.

This was our first gig with Victor Stranges on drums, and it also features my sons Joel and Samuel Cardwell on bass and guitar, respectively. No acoustic guitars in sight so it was a rock show with lots of guitar solos and a fair bit of jangling going on too. Please comment and rate the video and it would be good if you would also subscribe to my channel – it all helps the cause!

Review of Crowded House live at the Corner Hotel, Melbourne, Australia, 9th July, 2007 (by DC Cardwell)

Here are a few impressions of the Crowded House gig at the Corner Hotel in Melbourne last night (9th July). This was two days after they topped the bill at the Sydney Live Earth show. It was a sort of homecoming for them, as they had been based in Melbourne for most of their career and wrote and recorded a lot of their best music here. Bassist Nick Seymour is from Melbourne, as was the late Paul Hester, their drummer, who has been replaced in the reformed band by American Matt Sherrod.

Neil Finn’s son Liam was the support act, ably assisted by E-J (Jimmy Barne’s’ daughter) on vocals. Liam was really rather brilliant and E-J did a very impressive and unflappable job of keeping up with his racket with her singing. Liam played electric guitar (an SG) and in all the songs he did that thing where you set up a loop and then play another loop over the top of it, and so on. But, the thing is, he did it all in an incredibly ingenious and seamless manner. He must have nimble feet. For those who haven’t heard him, he’s really quite a dangerous competitor to his father in both his songwriting and singing. And he was rather charming too. And, oh yes, once in a while he’s set up a heavy set of guitar loops and then sit down at a handy drumkit and skillfully beat the living daylights out of it. He said that once he’s done that all his nerves are gone and he can relax. He did a lot of widdly heavy metal guitar and said that as his dad was making him play acoustic guitar for two hours later he was going to take the chance to play some solos in his own set.

There was a very loud grand finale with him on drums, masses of guitar loops and E-J wigging out on a rather ingenious musical instrument. It’s like a theremin, but here’s the ingenious part – you actually *touch* it to play it!

Then we had a long Crowded House set, a little bit rambling in the middle where they did a few of the songs off the new album that sound like, well, rambling Neil Finn solo songs, but that was OK. I’m not the kind of person who writes down or remembers entire set lists, so I won’t do a play-by-play. There was perhaps a slight surfeit of older and newer songs, with not so many from Woodface & Together Alone.

They started out with, “Recurring Dream”, which used to be a rare B-side until it showed up on their posthumous Afterglow album. I guess the title is appropriate, but it sounded fantastic as an opener. Next up was “Mean To Me”, perhaps a more traditional opener for them.

Sounding good, although the drums were way too loud in the mix and the bass was too quiet throughout the show. (We were about 7 rows back which was about a third the way between the stage and the bar.) The poor mix gave it a rather too heavy sound in the quieter songs where the drums were really quite annoying at times. Even when Matt was playing brushes the kick drum was overshadowing the whole mix. In the loud songs the balance was more appropriate.

“Sister Madly” was, well, you missed Paul doing his out front crazy antics as he used to in this song, but it was swinging and Nick was playing well. We could actually hear him in that one because there was a segment where Neil stopped playing his guitar and it got particularly jazzy. Mark Hart‘s piano solo was stunningly authentic be-bop with a lot of altered chords on the left hand. He’s a clever chap, you know! I’ve always enjoyed Mark’s playing on keyboards AND guitars immensely and he didn’t disappoint me last night.

Liam was playing acoustic guitar and additional keyboards for most of the set, leaving Neil free to play electric. He’s filling that role until he goes off later in the year to promote his own album. I just want to say that I want his job when he vacates the position!

Introducing “Pineapple Head”, Neil mentioned that there was still a bit of an unresolved issue between Liam and him, as Liam had written half the words, but he was in a state of delirium at the time. This famously happened when Liam was a young boy and had a fever.

Neil managed to somehow stuff up the intro to “Don’t Dream It’s Over” (only their most famous song!) and then said, “let’s try it a different way, let’s see we can murder the song!” The first verse was in a kind of a 16th-note feel but actually wasn’t that much different from the original, although Neil seemed chuffed with it. Then for the second verse they went into a reggae version. Matt and Nick made for a remarkably authentic rhythm section and Mark’s Jackie Mittoo impressions on his keyboard were spot-on.

“Nails In My Feet” was good, if marred by the too-loud drums. There’s a bit of stripping down happening in a lot of the songs, perhaps a slight further modernising of the sound, which takes them further in the direction begun around the time Eddie Rayner was replaced in their live shows and the sound became less baroque and more rock. I thought that was evident in the nice tight little Beatlesque Rock-Band Live Earth set. Overall there was a lot more messing around in the set last night, but still you could tell that some songs were a little more heads-down-no-nonsense-rock-n-roll.

“Locked Out” was fab. The TA version, much as I love it, always sounded a little untogether, as if they weren’t quite, well, I was going to say locked-in, and the pun was unintended!

Neil played a LOT of keyboards. “Walking On The Spot” was a highlight for me – no mess, no fuss.

I was surprised by the huge audience reaction to the new single, “Don’t Stop Now”. I mean, I *love* it and even though it’s maybe not quite a classic song, it has all the elements that to me make a great Crowded House sound. But the mainly diehard fan audience greeted it like the old classic that they’d all been waiting to hear, which I’m sure was very encouraging for the band!

“She Called Up” was another major moment. So hugely soulful. I love the studio version, but live, with Neil sitting behind a Fender Rhodes and singing more soulfully than I’ve ever heard him, I couldn’t help thinking of Ray Charles. And the lalala bit was spine-tingling.

Of course we couldn’t help thinking of Paul, who commited suicide in Melbourne a couple of years ago. Apart from his wonderful, inventive and slightly swinging drumming style, he brought a lot to the band with his totally uninhibited sense of humour and unpredictability. Anyone who has seen him would agree that *that* part of him was unique and irreplaceable. Neil dedicated his classic “Melbourne song”, as he called it, “Four Seasons In One Day” to Paul.

Well, you know, it was always going to be a huge thrill seeing them back together again, and even more so because of the intimate setting, and they didn’t disappoint!

Here are some of the songs I remember them doing, not in order:

  • Recurring Dream
  • Mean To Me
  • World Where You Live
  • Also Sprach Zarathustra (played with only one chord, or less)
  • Pineapple Head
  • Something So Strong
  • Love You ‘Til The Day I Die
  • Don’t Dream It’s Over
  • When You Come
  • Sister Madly
  • Fall At Your Feet
  • Red Sails in The Sunset (remarkably, played with only two chords)
  • Four Seasons In One Day
  • Locked Out
  • Nails In My Feet
  • Walking On The Spot
  • Nobody Wants To
  • Don’t Stop Now
  • She Called Up
  • Some other ones from the new album (I know, I know, it’s pathetic that I can’t remember – I was up very late last night!)

Review by DC Cardwell